In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

真愛台灣，讓人民過好日子

莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

电台女主播林林在结婚纪念日当天，收到沈砚资助的夏彤发来的挑衅视频，从而发现沈砚出轨的事实。此后，夏彤更是装被网暴，博得沈砚偏护，强迫林林自毁前途，签下《公开致歉声明》。林林悲痛欲绝，受刺激流产入院，沈砚却还误认为一切都是林林的苦肉计，处处维护夏彤，最终，林林决定离婚，并与真心珍惜她的沈卿言相遇，开启了新的事业。得知一切真相的沈砚悔不当初，却再也追不回林林。

电台女主播林林在结婚纪念日，撞破丈夫沈砚出轨。第三者夏彤假意被网博博取偏护，逼林林公开致歉、自毁前程。林林受刺激流产，却仍被沈砚视作苦肉计。她心死离婚，邂逅良人沈卿言、重启事业，而幡然醒悟的沈砚，终究悔恨难追。

林稚意外进入书中世界，成了豪门掌权人晏清的妻子。面对性格冷淡、行动不便的丈夫，她为了安稳生活，化身乐观戏精，用各种出人意料的方式逗他开心。原本只是想攒够积蓄后开启新生活，没想到朝夕相处中，她渐渐成了晏清最特别的存在。

二十年前，顾家二房顾廷川觊觎家产，谋害兄长，又诬陷长嫂林秀荷败坏门风、私吞钱财，将母子二人赶出家门。二十年后，当年的遗孤顾衍改名陆衍，执掌海外庞大商业版图。得知母亲在珠宝店遭人羞辱，他悄然归国，一心守护母亲、洗脱陈年污名，同时多方搜集证据，探查父亲遇害的完整真相。当年加害者罪责败露，母亲沉冤昭雪，可匿名信件又曝出背后尚有幕后主使，陆衍安置好母亲，再度远赴海外追查隐情。