在安哲罗普洛斯位于希腊的家中，日本作家兼诗人池泽夏树对他的访谈。 　　全片文本见：http://www.douban.com/group/topic/1045814/

Paul Merton制作的早期默片回顾史，主要还是集中在喜剧方面，可以算是Silent Clowns（http://movie.douban.com/subject/3648586/）的前传

杜琪峰，一位從97後香港影業低潮中崛起的本地導演。從逆境中突圍，杜琪峰的電影作品從通俗化到作者化，更慢慢與“香港”這座城市密不可分。經歷香港回歸後的15年，面對合拍的關口，一切仍是未知數，環境一直在變化，唯有他對電影的愛沒有變。 　　面對浩淼的電影世界，滄海一粟，他唯一做的是不能停步。

杜琪峰，一位从97后香港影业低潮中崛起的本地导演。从逆境中突围，杜琪峰的电影作品从通俗化到作者化，更慢慢与“香港”这座城市密不可分。经历香港回归后的15年，面对合拍的关口，一切仍是未知数，环境一直在变化，唯有他对电影的爱没有变。 　　面对浩淼的电影世界，沧海一粟，他唯一做的是不能停步。

A look at the extraordinary achievements and contemporary legacy of Oscar Micheaux, a pioneer of the African-American film industry.

The third of the short films on the Best v Best Vol 2 DVD that I watched made me think that perhaps I am doomed to be on the outside looking in with all the films. I say this because Wayfarers just cracked on into what it wanted to do without really giving me anything to help me come along with it. With other films this was a minor issue but here it was a big one. A ten minute look around the grounds and patients within some sort of home for the mentally challenged is fine and it was reasonably interesting but the approach meant it was never more than that. 　　I saw the people and the place but never felt anything for them or understood the wider aim of the film. Is this home part of a bigger failure in Ukraine to deal with the needy of society? I have no idea and, despite having watched this film, still have no idea. Visually the film is great. I really liked the black and white and enjoyed the mix of mobile shots, candid shots and portrait-like, silent frames of the people. It helps it a lot although the failure in the material cannot be redeemed solely by this strength. 　　Overall then, stylistically an interesting film but one where it cries out for context and some sort of help for the audience. For viewers who are aware of the bigger picture or of the relevance, this may prove touching but for myself it was well put together and sadly nothing more than that.

映像作家の宇治茶が監督・脚本・編集・キャラクターデザイン・作画・撮影を1人で担当し、アニメーションと劇画を融合させた「ゲキメーション」という表現方法を用いて完成させた異色長編アニメ。日本の山奥の村に暮らすアメリカ人少年のボビーは、数少ない友人であるあっくんと猫のデレクを連れ、遊びに出かける。その道すがら、娯楽施設「バイオレンス・ボイジャー」と書かれた看板を発見し、施設に足を踏み入れるボビーたち。そこで彼らが出会った少女・時子は、数日前からここから出られずにいるという。さらに、先客として迷い込んでいた村の子どもたちは、謎の白スーツを着た子どもの襲撃を受け、次々と捕獲されてしまう。時子の救出と復讐のために、ボビーたちが立ち上がるが……。ボビーの声を「魔法少女まどか☆マギカ」の悠木碧が担当するほか、「ココリコ」の田中直樹、「サバンナ」の高橋茂雄、田口トモロヲらが声優として参加。ナレーションを松本人志が務める。

A man travels to the eastern coast of Korea carrying the ashes of his deceased wife. He hopes to scatter them in a place closer to her hometown, which lies near the demilitarized zone separating North from South Korea, but along his journey he becomes burdened with the deaths of two more women who cross his path. At the same time, a nurse attempts to escort the dying chairman of a business conglomerate to his hometown, which is also located just to the north or south of the DMZ. Pursued by henchmen of the chairman's son, a politician who wants to keep his father's journey out of the press, the nurse comes across the man carrying the metaphorical "three coffins."

在埃及法老图坦卡蒙的陵墓深处，一具石棺被发现并送往加利福尼亚科学研究所。X光扫描显示，石棺内藏有五颗钻石般的水晶。技术员彼得·夏普偷走了这些水晶，却没有注意到强烈的X光意外唤醒了一种邪恶的绿色真菌。当石棺在大学新闻发布会上被打开时，现场的记者们发现了超乎想象的情况——木乃伊不见了……因为“时间旅者”已经复活！

吉田喜重監督が小津安二郎の映画の魅力を語る作品。 　　1993年12月にNHK教育テレビで4夜連続で放映された映像を収録。 　　DVD発売日: 2005/12/22