A tribute to the actress Anna Karina (1940–2019) that picks up from her performance in Jean-Luc Godard’s My Life to Live (1962), the film that—back in 1982—would inspire the director Carlos Adriano to make (think, and live) movies. Editing began on sem título # 8 in 2016 and was completed in 2021. It unwittingly foreshadowed the symptoms of the Coronavirus pandemic (among other viruses). The film is part of the series Notes for an AutoCineBiography (in Regression).

A tribute to the actress Anna Karina (1940–2019) that picks up from her performance in Jean-Luc Godard’s My Life to Live (1962), the film that—back in 1982—would inspire the director Carlos Adriano to make (think, and live) movies. Editing began on sem título # 8 in 2016 and was completed in 2021. It unwittingly foreshadowed the symptoms of the Coronavirus pandemic (among other viruses). The film is part of the series Notes for an AutoCineBiography (in Regression).

Leos Carax's 1997 short film "Sans Titre" which was made for the Cannes Film Festival and to gain funds for "Pola X"

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

夜已深，两辆同型号的汽车在北京的公路上，缓慢地以每小时六十公里的最低限速并驾齐驱。空荡的城市，扑朔迷离的踪影，它们的出现像是在无声地挑战着日常生活中种种看似不合理的可能性。

An Untitled Film (Gladwell, 1964, 9 minutes): an extraordinary piece o film art, exploring the power, beauty and violence contained in a single moment of time.

佝偻的拾荒者在街边寻觅食物，带回不存在的“家” 　　训练营的经历，让我目睹西宁的城区一隅，大寺里的诵经声环绕。街边游荡着失落的人，在肉铺的二楼，我寻到一间残破的房屋，苍蝇飞舞。站在窗边，仿佛看到饥饿的人在等着另一个饥饿的人回家，于是把当下的感受拍下来，仅此而已。 　　https://www.nowness.cn/series/nowness-first-film-list/untitled

夜已深，两辆同型号的汽车在北京的公路上，缓慢地以每小时六十公里的最低限速并驾齐驱。空荡的城市，扑朔迷离的踪影，它们的出现像是在无声地挑战着日常生活中种种看似不合理的可能性。

“Disaster ruins everything while leaving everything as it is, wrote Maurice Blanchot. Everything.”– Ghassan Salhab. From the southern districts of Beirut to southern Lebanon, a car winds its way through the devastated country. No title for such desolation. 　　“Le désastre ruine tout en laissant tout en l’état, écrivait Maurice Blanchot. Tout.” - Ghassan Salhab. Des quartiers sud de Beyrouth au sud du Liban, une voiture serpente dans le pays dévasté. Pas de titre pour une telle désolation.

抓不住的才叫人动心。小提琴家陆松与室内设计师文罂巴黎邂逅，不打不相识，最后彼此迷恋，越陷越深。爱情之名，怂恿着他们为爱再大胆一次，走出各自问题满满的婚姻关系。仿佛只要现任变前任，幸福就唾手可得。然而前夫前妻们也都是战士，他们将如何捍卫自己的婚姻和家庭？揪心的情感难题，现代都市婚恋警示录，在北京与巴黎街头上演。爱情，像是影子，抓不住却也离不开，如影随心……