他明明是个演技平平的糊咖，粉丝却遍布整个阴间，只因他一旦饰演上杀人狂、厉诡等一类的角色时，不仅能把活人吓死，就连阴间厉诡们都会被吓到，至此他的粉丝们开始分为两派，阳间黑粉与阴间铁粉

叶辰正熬夜追读一本狗血修真小说，突然眼前一黑，竟穿成了书中圣母女主的身体。此时原主正被白莲花女配设计，身中剧毒、修为尽失，即将被逐出师门。叶辰冷笑一声，当即逆转经脉，以毒攻毒破局。他左手掐诀镇压宗门长老，右手捏碎女配的本命法宝，当众揭穿其百年阴谋。从此他不再走圣母路线，反而杀伐果决，抢秘境、夺传承，把各路反派的脸都打肿。三年后，他站在仙盟之巅，却将盟主玉印套在原女主手上："这万里红妆，可还满意？

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

"War always finds a way (Brecht). If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age ? Post-industrial products are characterised by a declining proportion of material components, meaning that they depreciate more slowly. In order to prevent them clogging the market they have to be artificially aged, or as Marx put it, morally depreciated. The same is true for monopolists : only through constant innovation can products age and lose value ; competition is no longer needed. Until now it was competition that gave rise to enmity. Now, the competition is internal and an external enemy is no longer to be found. The enemy is amongst us and within us. Weapons are needed that can hit one person amongst a thousand. The economics demand wars with maximum precision targeting. Such as : wars fought on humanitarian grounds." (Harun Farocki)

该剧主要讲述90年代初期，复原军人回归工厂的故事。展现了当代工人阶级艰苦奋斗、爱岗敬业的优良品质。

《出路》作为中国第一部真实反映逃犯逃亡途中生活环境对逃犯心理路程的转变，真实的再现了逃犯从实施犯罪、逃避法律、选择逃亡、投案自首的整个心理路程。

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.

"War always finds a way (Brecht). If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age ? Post-industrial products are characterised by a declining proportion of material components, meaning that they depreciate more slowly. In order to prevent them clogging the market they have to be artificially aged, or as Marx put it, morally depreciated. The same is true for monopolists : only through constant innovation can products age and lose value ; competition is no longer needed. Until now it was competition that gave rise to enmity. Now, the competition is internal and an external enemy is no longer to be found. The enemy is amongst us and within us. Weapons are needed that can hit one person amongst a thousand. The economics demand wars with maximum precision targeting. Such as : wars fought on humanitarian grounds." (Harun Farocki)