《享受美吧》节目由睿智美的队长李锐、健康美的代表刘畊宏、女神美的代表柳岩和青春美的代表李川及科技美的代表机器人小绿共同组成“美丽特工队”，为前来求助的素人们解决“美的困惑”，探讨美的标准。话题涉及美的方方面面，整容、护肤、减肥、健身、时尚、美妆都在节目的讨论范围内，而美丽特工队队员将从5个全然不同的视角为素人提供解决方案。每场节目都将由100位现场观众进行投票，得票最低的特工队队员还将接受“美的代价”惩罚。

《享受美吧》节目由睿智美的队长李锐、健康美的代表刘畊宏、女神美的代表柳岩和青春美的代表李川及科技美的代表机器人小绿共同组成“美丽特工队”，为前来求助的素人们解决“美的困惑”，探讨美的标准。话题涉及美的方方面面，整容、护肤、减肥、健身、时尚、美妆都在节目的讨论范围内，而美丽特工队队员将从5个全然不同的视角为素人提供解决方案。每场节目都将由100位现场观众进行投票，得票最低的特工队队员还将接受“美的代价”惩罚。

小偷科朱马尔·拉吉万 (Kozhummal Rajeevan) 遇见了泰米尔劳工黛维(Devi)，并爱上了她。他们决定在她家住在一起，他彻底停止了非法活动，开始当劳工。有一天，在庙会回来的路上，为了避免被汽车撞到，他跳过了立法会议员昆吉坎南家的围墙，被他的宠物狗金尼和盘尼西林咬伤。最糟糕的是，拉吉万被指控盗窃并被捕。 　　在法庭上，拉吉万在警察出身的辩护律师甘加达兰的帮助下独自为自己的案件辩护，并承诺提供证据。此后，法庭诉讼程序开始，最终拉吉万将公共福利部部长 KP 普雷曼 (KP Preman) 拖入困境，指责他是道路上的一个坑洼造成了所有问题。但此后他在收集证据方面面临许多障碍。他能否证明自己是无辜的，还是会受到压迫，这就是情节的其余部分。

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

小S开启韩国5天4夜之旅！前两日行程涵盖江南和汝矣島，她不仅品尝了知名烤韩牛、酱蟹，还前往THE现代首尔购物。

小S韓國5天4夜之旅正式開始！ 　　頭兩天走訪江南和汝矣島的行程，包括品嚐知名烤韓牛、醬蟹，及到THE現代首爾購物。

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/