TF家族四代练习生日常训练记录~

TF家族四代练习生日常训练记录~

ポルトガル人アーティストのアンドレ・プリンシペ（André Principe）とマルコ・マルティンス（Marco Martins）のドキュメント映画「TRACES OF A DIARY – 日記をたどる」の３日間限りの特別上映会を開催、ポルトガルよりアンドレ・プリンシペが来日いたします。 　　本作は、森山大道、荒木経惟、中平卓馬、ヒロミックス、梶井松陰、吉行耕平といった6名の日本人写真家の日常を約1年半かけて追って制作された記録映像作品です。 　　会場では映画上映の他、本作の撮影時にアンドレ・プリンシペによって撮りためたものから作られた写真集「TOKYO DIARIES」(Pierre von Kleist editions) や、その他出演作家の関連書籍の販売を行います。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

该作品讲述了天命不凡，与生俱来拥有无穷力量的少女世珍,她受到人们的伤害从而开始拒绝命运，之后她与狩猎少年们变成搭档，大家一起解决神、鬼、妖怪等相关的各种奇异事件的故事。

The documentary was commissioned by Israel’s Public Broadcaster, KAN 11, to mark the commemoration of the 80th anniversary of the end of World War II. Told through tens of thousands declassified British intelligence documents, “Recording Evil” reveals the candid conversations of Nazi officers and soldiers held as prisoners of war during WWII. Unaware of hidden listening devices in British internment facilities, the prisoners spoke freely about their involvement in the Holocaust providing unfiltered accounts that provide details that have never before been made public.

导演 Cheryl（张艾嘉）要拍一部关于初恋的电影，找到编剧（苏永康）讨论剧本。故事的起于一九七七年，女主角小柔（梁咏琪）十七岁，在女校读中学。浩君（金城武）十九岁，大学沒考上，在家自修。但他更喜欢弹吉他。浩君第一次遇见小柔是在一家音乐行的玻璃櫥窗边，浩君心动，撒谎而第二次见面。第三次見面是在一群玩音乐的男孩子练歌时，小柔主动和他说话。之后，两人一发不可收拾。小柔的好朋友陈莉（莫文蔚）是小柔倾诉的对象。一个夜晚，浩君和小柔只想一起共渡，穿着整齐相拥而眠。这一夜成为二人分手的起因。导演 Cheryl告诉编剧，陈莉向小柔示爱，小柔打了陈莉。多年后，二十五岁的浩君成为导游和翻译，在日本巧遇小柔，依然心动。小柔已是香港一家时装公司的采购员。当二人再走在一起，沒有任何考虑就做了当年沒有做的事。有一天，浩君回到香港，拿着戒指向小柔求婚，感情找到归宿。导演 Cheryl也在讲述的最后，找到自己真实的往事。