Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.

Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.

深夜，404 婴儿哭声扰民，业主发 “马上掐死” 后哭声骤停。504 质疑异常，众人热议 404 男主人孤僻有暴力倾向、女主人未现身的疑点。 402 上门查看称 “没事”，但 “我” 未闻其关门声。警察调查时，“我” 透过猫眼见警察似看不见 404 男主人，将所见发群引发震动，601 怀疑敲门者是 302。 窗外突现假警察欲破窗，幸有真警察敲门使其遁走。601 报警无记录，“我” 推测 504 遇害。次日警局揭晓真相：两名笨贼踩点失误，行窃变杀人，402、504 遇害，“我” 所见实为幻觉。

深夜，404 婴儿哭声扰民，业主发 “马上掐死” 后哭声骤停。504 质疑异常，众人热议 404 男主人孤僻有暴力倾向、女主人未现身的疑点。 402 上门查看称 “没事”，但 “我” 未闻其关门声。警察调查时，“我” 透过猫眼见警察似看不见 404 男主人，将所见发群引发震动，601 怀疑敲门者是 302。 窗外突现假警察欲破窗，幸有真警察敲门使其遁走。601 报警无记录，“我” 推测 504 遇害。次日警局揭晓真相：两名笨贼踩点失误，行窃变杀人，402、504 遇害，“我” 所见实为幻觉。

猎奇漫画家・氏贺Y太的代表作之一，在海外的狂热者之间也很有人气的《麻衣的日常》改编的真人版 在一个偏僻的地方，一个虐待狂的地方发布了一则广告，想要引诱年轻的少女来当女佣，但却控制她们遭受虐待、酷刑、谋杀和食人。

猎奇漫画家・氏贺Y太的代表作之一，在海外的狂热者之间也很有人气的《麻衣的日常》改编的真人版 在一个偏僻的地方，一个虐待狂的地方发布了一则广告，想要引诱年轻的少女来当女佣，但却控制她们遭受虐待、酷刑、谋杀和食人。

Barry和Maggie这对有独特的夫妻，尽管有年龄差距，Maggie的头发已经花白，两人仍是十分相爱。而一天早上，Maggie突然离世，Barry该如何继续？

Barry和Maggie这对有独特的夫妻，尽管有年龄差距，Maggie的头发已经花白，两人仍是十分相爱。而一天早上，Maggie突然离世，Barry该如何继续？

灵感取自奥地利作家卡夫卡的短篇寓言《A Common Confusion》 ，这部在卡夫卡作品中稍显冷僻的短篇描绘了一个由荒谬和焦虑编织而成的模糊图景，主人公A由于信息（手机）的缺失和受困于“心理时空”与“现实时空”的落差，始终与B无法完成相遇。这个看似荒谬的故事实际上与我们的世俗生活的种种暗自相合。

灵感取自奥地利作家卡夫卡的短篇寓言《A Common Confusion》 ，这部在卡夫卡作品中稍显冷僻的短篇描绘了一个由荒谬和焦虑编织而成的模糊图景，主人公A由于信息（手机）的缺失和受困于“心理时空”与“现实时空”的落差，始终与B无法完成相遇。这个看似荒谬的故事实际上与我们的世俗生活的种种暗自相合。