A surrealist satire describing the power that is used to dehumanise and deny individual liberties in the name of order and the common good.

A surrealist satire describing the power that is used to dehumanise and deny individual liberties in the name of order and the common good.

本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。

Natalie Chandler's friend hospital sister Logan reports suspected foul play following several deaths on her A and E ward,the last being when a young girl was given a fatal dose of prescription drugs. Chief suspect young Dr. Grant proves to be an unqualified impostor but he implicates elderly,pain-killer addicted colleague Dr. Austen,who was in charge when the other patients died. Austen consequently stands trial.

Natalie Chandler's friend hospital sister Logan reports suspected foul play following several deaths on her A and E ward,the last being when a young girl was given a fatal dose of prescription drugs. Chief suspect young Dr. Grant proves to be an unqualified impostor but he implicates elderly,pain-killer addicted colleague Dr. Austen,who was in charge when the other patients died. Austen consequently stands trial.

A car left on a level crossing causes a crash which kills fifteen people though the driver cannot be found. Initially the police, led by Natalie Chandler's replacement, the recently promoted Wes Leyton, suspect the car owner, the unpleasant Michael Gennis, but learn that the car was stolen and the actual driver, Finn Tyler, intended to kill himself by driving onto the track but survived. Jake Thorne is anxious to prosecute for murder but Tyler's lawyer, Kate Barker, puts up a case of diminished responsibility by reason of insanity though the case is found. Shortly afterwards Tyler is found dead in his cell and suspicion falls on D.S. Sam Casey, being his last known visitor. Jake also learns that Kate is to join the prosecution team.

A cinema verité view of the day-to-day activities of policemen on the Kansas City, Missouri police force. The police are followed through a series of routine actions: locating a stolen purse, caring for a lost child, arresting a prostitute, and settling family problems.

A cinema verité view of the day-to-day activities of policemen on the Kansas City, Missouri police force. The police are followed through a series of routine actions: locating a stolen purse, caring for a lost child, arresting a prostitute, and settling family problems.

《警察与检察官：代表英国刑事司法的侦探与检察官》系列改编自《英国刑事司法系统中的侦探与检察官》。

Description: 'Un metteur en ordre: Robert Bresson' is from a 1966 French television broadcast of 'Pour le Plaisir', a cultural television program. The phrase 'Un metteur en ordre' translates loosely to 'An Imposer of Order'. When you watch the program, you'll see that its title comes from the filmmaker's response to the interviewer's question: 'What's Robert Bresson's profession?' 　　This episode concentrates on 'Au Hasard Balthazar' and includes interviews with Robert Bresson, Jean-Luc Godard, Louis Malle, and members of the film's cast. Bresson explains the origin of the film's title, while his contemporaries describe their reactions to the film. Several extensive clips from the film are presented, after which Bresson and his cast members offer their opinions of the meaning or consequences of those scenes. 　　The heart of the program is an interview with Bresson, during which he talks specifically about this film. He also gives his ideas on filmmaking in general. For example, here's how he wants his performers to learn their dialogue: 'I ask them to learn their lines ignoring their meaning, as if they didn't have a meaning, as if the words were just syllables. As if sentences weren't made of words but of syllables.'