Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

父亲在翻修房子时在墙内发现了一个上锁的保险箱，母亲与两姐妹在不停猜测箱内为何物的同时，决定听从父亲的建议把保险箱原样放在家中，永远保留那份珍宝。经年累月之后，一家四口的生活发生巨变。一座房子承载的记忆摇摇欲坠，神秘的保险箱似乎成为了生活的某种隐喻。

父亲在翻修房子时在墙内发现了一个上锁的保险箱，母亲与两姐妹在不停猜测箱内为何物的同时，决定听从父亲的建议把保险箱原样放在家中，永远保留那份珍宝。经年累月之后，一家四口的生活发生巨变。一座房子承载的记忆摇摇欲坠，神秘的保险箱似乎成为了生活的某种隐喻。

由新世相联合光明日报共同发起的“2020季毕业特别活动”，聚焦2020届毕业生，纪录了被称为“史上最难的一届毕业生”的真实状态。疫情冲击下他们有人改变毕业后的选择，有人重新思考人生。真实讲述了在特殊的2020年，这些刚刚走出大学校门的年轻人的迷茫与彷徨，乐观与勇气。本片旨在留下这届毕业生的人生剪影，并为全国874万毕业生送去温暖和鼓励。

由新世相联合光明日报共同发起的“2020季毕业特别活动”，聚焦2020届毕业生，纪录了被称为“史上最难的一届毕业生”的真实状态。疫情冲击下他们有人改变毕业后的选择，有人重新思考人生。真实讲述了在特殊的2020年，这些刚刚走出大学校门的年轻人的迷茫与彷徨，乐观与勇气。本片旨在留下这届毕业生的人生剪影，并为全国874万毕业生送去温暖和鼓励。

由新世相联合光明日报共同发起的“2020季毕业特别活动”，聚焦2020届毕业生，纪录了被称为“史上最难的一届毕业生”的真实状态。疫情冲击下他们有人改变毕业后的选择，有人重新思考人生。真实讲述了在特殊的2020年，这些刚刚走出大学校门的年轻人的迷茫与彷徨，乐观与勇气。本片旨在留下这届毕业生的人生剪影，并为全国874万毕业生送去温暖和鼓励。

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

如果这是梦，那也太过真实了。谁会猜到仅仅是一觉醒来，命运给“nakhoon”开了一个玩笑，穿越到了近400年前的阿瑜陀耶时代。在疑惑中害怕，所有人都叫他为“klao”，下落不明的罪人銮·裕甲巴的儿子。他必须要假装“klao”生活，并努力寻找回到现代的办法，解开真正的klao身上 的谜团，但越寻找，就越遇到更多可疑的事情。还有“phop大人，和klao关系亲密的哥哥，视线无时无刻不在跟随着他，而他也发现，自己愈发对那个人的视线感到无措彷徨。