豪门千金戚雪在与总裁陆培风五年婚姻中饱受冷暴力，流产当日更目睹丈夫对替身情人江曼文的关怀，彻底心死离婚。在青梅竹马季怀让的温暖陪伴下，她重获新生。陆培风则深陷对“已故”初恋柳棠棠的愧疚中，直至柳棠棠“死而复生”，他才惊觉当年救命恩人实为戚雪，所有怨恨皆是一场空。

病重的陆宁将玉佩交给女儿小花，嘱她投奔生父郑世贤，那个她已经等待七年的男人，终究要等不到了，七年前她和身为海城首富之子的郑世贤相爱并有了一个孩子，却被郑世贤的父亲以陆宁的身份配不上为由强行拆散，之后她思念成疾患上重病，还要时时刻刻提防想吃绝户的嫂子，保护自己的孩子，如今预感大限将至，却突然的听到了一个熟悉的敲门声，那个离开七年的男人，又回来了...

《波多黎各》是一部历史剧，以波多黎各革命者何塞·马尔多纳多·罗曼（人称“白鹰”）的生平为蓝本，故事背景设定在19世纪末的波多黎各岛。马尔多纳多·罗曼领导一群前罪犯反抗殖民统治，在波多黎各寻求国家身份认同的过程中为其伸张正义。

Porto Rico is a historical drama based on the life of Puerto Rican revolutionary, José Maldonado Román, known as Águila Blanca (White Eagle), set on the island in the late 19th century. Maldonado Román fought against colonialism by leading a gang of ex-convicts to vindicate Puerto Rico as it sought its identity as a country.

影片详细描述了愤世嫉俗的检察官（休斯顿饰演）与年轻无知的杀手（福尔摩斯饰演）之间的冲突，后者在监狱中的服刑不仅威胁到他对生活的信念，还威胁到他的理智。影片讲述了背叛和复仇，情节紧凑、冷酷无情，表明囚犯的荣誉感和正义感与当局并无太大区别：“有人必须付出代价”这句话很容易挂在卡洛夫等复仇心切的强盗和休斯顿等自以为是的执法者嘴上。但这里没有肤浅的说教；相反，快节奏、残酷现实的氛围和精湛的表演唤起了一场智慧和权力的悲剧之战，双方同样正确和错误，被迫做他们生活中所要求他们做的事情，唯一的出路就是死亡。霍克斯后来的担忧在这里得到了充分体现——对专业精神的骄傲、团体内的忠诚和背叛、被迫在没有女人的情况下生活的男性所面临的困难。

影片详细描述了愤世嫉俗的检察官（休斯顿饰演）与年轻无知的杀手（福尔摩斯饰演）之间的冲突，后者在监狱中的服刑不仅威胁到他对生活的信念，还威胁到他的理智。影片讲述了背叛和复仇，情节紧凑、冷酷无情，表明囚犯的荣誉感和正义感与当局并无太大区别：“有人必须付出代价”这句话很容易挂在卡洛夫等复仇心切的强盗和休斯顿等自以为是的执法者嘴上。但这里没有肤浅的说教；相反，快节奏、残酷现实的氛围和精湛的表演唤起了一场智慧和权力的悲剧之战，双方同样正确和错误，被迫做他们生活中所要求他们做的事情，唯一的出路就是死亡。霍克斯后来的担忧在这里得到了充分体现——对专业精神的骄傲、团体内的忠诚和背叛、被迫在没有女人的情况下生活的男性所面临的困难。

A look at the life of Jorge Mario Bergoglio, form his early childhood days in Argentina to his becoming Pope Francis.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.