被解雇的醉酒百货商店圣诞老人跟踪并杀死了参加圣诞晚会的“湿T恤”美女。

被解雇的醉酒百货商店圣诞老人跟踪并杀死了参加圣诞晚会的“湿T恤”美女。

The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.

The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.

Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets of downtown Tokyo. Welcome to Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 　　100 Yen is a historical documentary about the evolution ofarcades and the culture surrounding it from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. All filmed on location in Japan, Canada, and the USA featuring interviews with industry professionals, gameprogrammers and designers, casual gamers and gaming icons.

Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets of downtown Tokyo. Welcome to Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 　　100 Yen is a historical documentary about the evolution ofarcades and the culture surrounding it from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. All filmed on location in Japan, Canada, and the USA featuring interviews with industry professionals, gameprogrammers and designers, casual gamers and gaming icons.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

A woman dressed garishly in bubble-gum colors conducts an opinion survey about bubble gum consumer habits at a street market. Her interviewee, a girl of six or seven, is in turn determined, convinced, engaged, skeptical, annoyed, and distracted by other, more important things.