《战后遗华日本女性考》拍摄制作历时 6年，中日间往返行程逾30万公里，拍摄素材逾2500小时，摄制过程始终遵循理性反思善恶，严谨考证历史，真实记录亲历者历史的认真态度，让生活在今天的日本年轻人走近战争亲历者们的身边与倾心交谈。 　　作品记录了日本留学生小林千惠、舞台演员神田幸子对八位战后遗华日本耄耋女性的探访，倾听她们讲述命运之无常……记录在中日两国那段特殊历史时期，被日本军国主义政府裹挟欺骗的特殊群体——战后遗华日本女性的特殊人生。 　　《问·缘》（上篇）《爱·缘》（下篇）&《篇外篇》

《战后遗华日本女性考》拍摄制作历时 6年，中日间往返行程逾30万公里，拍摄素材逾2500小时，摄制过程始终遵循理性反思善恶，严谨考证历史，真实记录亲历者历史的认真态度，让生活在今天的日本年轻人走近战争亲历者们的身边与倾心交谈。 　　作品记录了日本留学生小林千惠、舞台演员神田幸子对八位战后遗华日本耄耋女性的探访，倾听她们讲述命运之无常……记录在中日两国那段特殊历史时期，被日本军国主义政府裹挟欺骗的特殊群体——战后遗华日本女性的特殊人生。 　　《问·缘》（上篇）《爱·缘》（下篇）&《篇外篇》

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

《古典宝宝》是一部令人愉快的动画节目，包含了一系列的短片，每一个短片都以精美的画作为特色，配合着轻松活泼的音乐和动画效果，将艺术作品栩栩如生地呈现在孩子们的眼前。

《古典宝宝》是一部令人愉快的动画节目，包含了一系列的短片，每一个短片都以精美的画作为特色，配合着轻松活泼的音乐和动画效果，将艺术作品栩栩如生地呈现在孩子们的眼前。

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.

2020年新冠疫情爆发后，日本女性面临工作、家庭等多重压力。本片展现了新冠疫情下日本女性的生存状态。

惠特妮·卡明导演处女作，根据神经学医生Louann Brizendine所著图书改编。本书揭示了夫妻在不同相处阶段的大脑内部运作规律，以及其孕育出的复杂力量。

惠特妮·卡明导演处女作，根据神经学医生Louann Brizendine所著图书改编。本书揭示了夫妻在不同相处阶段的大脑内部运作规律，以及其孕育出的复杂力量。