迅速进化为时尚之都的上海，对模特的需求也在急速增长。 　　为世博而沸腾的中国，在上海每年举办一次世界上屈指可数的大型模特比赛。参赛者大约8万人，比赛承诺若取得胜利，可以在中国时装界上演华丽的处女秀。 　　本次比赛今年首次允许日本模特参与，在此号召下，日本模特们纷纷报名参赛。 　　将中国作为立脚点，以亚洲顶级为目标的日本现役模特们，她们的中国挑战计划，这激烈的战争枪声已然打响。

In 1988, Ulay and Abramovic decided to end their relationship and to mark this with a performance, which became the legendary endpoint of their collaboration. After years of negotiations with the Chinese authorities, the artists got the permission to carry out 'The Lovers: The Great Wall Walk', in which they started to walk from different ends of the Chinese Wall in order to meet in the middle and say good-bye to each other. Abramovic started walking at the eastern end of the Wall, at Shan Hai Guan, on the shores of the Yellow Sea, Gulf of Bohai, walking westward. Ulay started at the western end of the Wall, at Jaiyuguan, the south-western periphery of the Gobi Desert, walking eastward. After they both continuously walked for 90 says, they met at Er Lang Shn, in Shen Mu, Shaanxi province. Here, they embraced each other to go on with their life and work separately from then on. As their work had often employed ritualized actions, mythology and Eastern thought, 'The Lovers: The Great Wall Walk' has to be considered the perfect end of the common oeuvre - also due to the Wall's mythological and philosophical connotations. The performance was recorded by Murray Grigor for the BBC (16mm film, transferred to video), which resulted in the documentary 'The Great Wall: Lovers at the Brink', of which there exist a long screening-version and a shorter VHS-version. 　　-https://www.youtube.com/watch?v=zaso0j9x098

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

SLやまぐち号に乗って～山口線 　　（ぶらり途中下車） 　　常栄寺/国宝瑠璃光寺五重塔 　　県立自然公園長門峡/森鴎外旧宅/他 　　山陽本線新山口と山陰本線益田を結ぶ 　　陰陽連絡線。 　　特急スーパーはくとに乗って～ 　　智頭急行（ぶらり途中下車） 　　武蔵の里/三朝温泉 　　依山楼岩崎/楽山の湯/他 　　山陽本線上郡と因美線智頭を結ぶ沿線自治体が出資する第三セクター方式の鉄道会社。 　　嵯峨野から日本海へ～ 　　山陰本線（京都～鳥取） 　　（ぶらり途中下車） 　　梅小路蒸気機関車館 　　保津川下り/福知山城/他 　　「偉大なるローカル線」と称され、一府四県に 　　またがる日本一長い路線。 　　中国山地を縦断する特急やくも～ 　　伯備線（ぶらり途中下車） 　　倉敷他美観地区/備中松山城/他 　　倉敷と伯耆大山の山陽と山陰を結ぶ 　　ローカル線。

位于太平洋之畔的日本，拥有无数的摩天大楼、人潮汹涌的都市以及精致的美食，吸引了无数的游客。然而，本片却主要介绍了日本更不为人知，也更壮丽的美景，那就是日本列岛的山区。 在日本的文化里，大山是神的领地，是神圣的地方，而凡人只是普通的访客。本片通过采访几位不同身份职业的大山常住客，揭示了群山在日本社会中所扮演的角色。虽然近几十年来，出于经济的需求，日本对山区进行了开发，兴建了许多滑雪场，引来了国内外众多游客。但对于日本人而言，大山依旧是其精神的寄托，依旧具有非常重要的地位。

在社会主义制度下引进市场经济的宏大实验-中国的改革开放，开始迄今已40年。 如今中国已成为GDP世界第二的经济大国。 其实，中国仿效的是日本模式。从政经界首脑到建设现场，从政府到民间，无数日本人不遗余力，援助中国的改革开放。本片以小松制作所、新日本制铁等事例为中心，通过在中日两国的采访，披露不为人知的秘闻轶事。

NHK電視台的系列纪录片“纪实72小时”中的一期。站在CM会场旁的一个便利店观察这个世界上最大的同人展会，讲述每名宅男腐女自己的人生冷暖。

日本在东北实行试点移民从1905年开始。持续到1931年九一八事变前。日本最早有组织、有计划的试点移民是所谓的“爱川村”移民。从1913年开始，有着“劝业都督”之称的日本“关东州”都督福岛安正从山口县玖珂郡川下村和爱岩村搜罗移民17户，从新泻县弄来移民1户，共计18户43人移入金县新平在满铁附属地内拨出4400公顷土地租给自由移民耕种，又从满铁的守备退役兵中择人试验。