威廉-亨利-端纳，澳大利亚记者出身。1903年到香港任《德臣报》编辑，从此与中国结 ... 的顾问，经历了从清朝覆灭、民国建立、直到抗日胜利长达40年的民国发展史，是西安事变的斡旋者，其堪称是民国史上重大政治事件的历史见证人。

威廉-亨利-端纳，澳大利亚记者出身。1903年到香港任《德臣报》编辑，从此与中国结 ... 的顾问，经历了从清朝覆灭、民国建立、直到抗日胜利长达40年的民国发展史，是西安事变的斡旋者，其堪称是民国史上重大政治事件的历史见证人。

迅速进化为时尚之都的上海，对模特的需求也在急速增长。 　　为世博而沸腾的中国，在上海每年举办一次世界上屈指可数的大型模特比赛。参赛者大约8万人，比赛承诺若取得胜利，可以在中国时装界上演华丽的处女秀。 　　本次比赛今年首次允许日本模特参与，在此号召下，日本模特们纷纷报名参赛。 　　将中国作为立脚点，以亚洲顶级为目标的日本现役模特们，她们的中国挑战计划，这激烈的战争枪声已然打响。

迅速进化为时尚之都的上海，对模特的需求也在急速增长。 　　为世博而沸腾的中国，在上海每年举办一次世界上屈指可数的大型模特比赛。参赛者大约8万人，比赛承诺若取得胜利，可以在中国时装界上演华丽的处女秀。 　　本次比赛今年首次允许日本模特参与，在此号召下，日本模特们纷纷报名参赛。 　　将中国作为立脚点，以亚洲顶级为目标的日本现役模特们，她们的中国挑战计划，这激烈的战争枪声已然打响。

In 1988, Ulay and Abramovic decided to end their relationship and to mark this with a performance, which became the legendary endpoint of their collaboration. After years of negotiations with the Chinese authorities, the artists got the permission to carry out 'The Lovers: The Great Wall Walk', in which they started to walk from different ends of the Chinese Wall in order to meet in the middle and say good-bye to each other. Abramovic started walking at the eastern end of the Wall, at Shan Hai Guan, on the shores of the Yellow Sea, Gulf of Bohai, walking westward. Ulay started at the western end of the Wall, at Jaiyuguan, the south-western periphery of the Gobi Desert, walking eastward. After they both continuously walked for 90 says, they met at Er Lang Shn, in Shen Mu, Shaanxi province. Here, they embraced each other to go on with their life and work separately from then on. As their work had often employed ritualized actions, mythology and Eastern thought, 'The Lovers: The Great Wall Walk' has to be considered the perfect end of the common oeuvre - also due to the Wall's mythological and philosophical connotations. The performance was recorded by Murray Grigor for the BBC (16mm film, transferred to video), which resulted in the documentary 'The Great Wall: Lovers at the Brink', of which there exist a long screening-version and a shorter VHS-version. 　　-https://www.youtube.com/watch?v=zaso0j9x098

In 1988, Ulay and Abramovic decided to end their relationship and to mark this with a performance, which became the legendary endpoint of their collaboration. After years of negotiations with the Chinese authorities, the artists got the permission to carry out 'The Lovers: The Great Wall Walk', in which they started to walk from different ends of the Chinese Wall in order to meet in the middle and say good-bye to each other. Abramovic started walking at the eastern end of the Wall, at Shan Hai Guan, on the shores of the Yellow Sea, Gulf of Bohai, walking westward. Ulay started at the western end of the Wall, at Jaiyuguan, the south-western periphery of the Gobi Desert, walking eastward. After they both continuously walked for 90 says, they met at Er Lang Shn, in Shen Mu, Shaanxi province. Here, they embraced each other to go on with their life and work separately from then on. As their work had often employed ritualized actions, mythology and Eastern thought, 'The Lovers: The Great Wall Walk' has to be considered the perfect end of the common oeuvre - also due to the Wall's mythological and philosophical connotations. The performance was recorded by Murray Grigor for the BBC (16mm film, transferred to video), which resulted in the documentary 'The Great Wall: Lovers at the Brink', of which there exist a long screening-version and a shorter VHS-version. 　　-https://www.youtube.com/watch?v=zaso0j9x098

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

NHK電視台的系列纪录片“纪实72小时”中的一期。站在CM会场旁的一个便利店观察这个世界上最大的同人展会，讲述每名宅男腐女自己的人生冷暖。

NHK電視台的系列纪录片“纪实72小时”中的一期。站在CM会场旁的一个便利店观察这个世界上最大的同人展会，讲述每名宅男腐女自己的人生冷暖。