1919年的东京，俊朗的青年樱田龙一（冢本高史 饰）行走在瓢泼的大雨之中，他正要拜访来自印度的魔术师马蒂拉姆•米斯拉（村上淳 饰）。马蒂拉姆的神奇魔法令樱田大为折服，他无论如何希望成为这位大师的学生。不过大师有一个要求，若想成为魔术师，必须灭掉心中所有的欲望。樱田答应了这个条件，并且如愿以偿。不久，他在朋友面前表演魔术，虽然引得朋友们的赞叹，但是其中的直哉（三浦诚已 饰）却执意和他在赌桌上进行较量。直哉有如伊甸园的蛇，似乎无论如何也要勾起樱田心中的欲望…… 　　本片根据芥川龙之介的同名原著改编，系“BUNGO-日本文学シネマ”系列中的一部。

1919年的东京，俊朗的青年樱田龙一（冢本高史 饰）行走在瓢泼的大雨之中，他正要拜访来自印度的魔术师马蒂拉姆•米斯拉（村上淳 饰）。马蒂拉姆的神奇魔法令樱田大为折服，他无论如何希望成为这位大师的学生。不过大师有一个要求，若想成为魔术师，必须灭掉心中所有的欲望。樱田答应了这个条件，并且如愿以偿。不久，他在朋友面前表演魔术，虽然引得朋友们的赞叹，但是其中的直哉（三浦诚已 饰）却执意和他在赌桌上进行较量。直哉有如伊甸园的蛇，似乎无论如何也要勾起樱田心中的欲望…… 　　本片根据芥川龙之介的同名原著改编，系“BUNGO-日本文学シネマ”系列中的一部。

2005年席卷中国各地的反日示威。在仅一海之隔的邻国中国，存在着根深蒂固的反日情绪。但在一百年前却完全不是这样。当时来到日本的中国留学生，对日本抱有强烈的共鸣，亚洲的青年们满怀各自的期待来到日本。然而仅仅数年，他们的看法发生巨大转变，亚洲的人们为什么改变了对日本的看法？通过来到日本的年轻人的眼睛，揭示一百年来日本与亚洲的关系。其中以日清战争为起点，各国留学生开始对日本有了重新的认识。

The closing titles say The Two Sights was “collected” on various islands of the Outer Hebrides from 2017–19, but what does the film gather? There are the images, captured on 16mm, which survey all this ravishing landscape contains, taking in its rocky cliffs, beaches and plains, alighting on its flora and fauna and the houses and ships sprinkled over it, picking out currents, reflections and shifts in light. Then there are the sounds, recorded with the mic visible in the first shots, keening birds, the roaring wind, the crashing, gurgling, trickling of the water. In voiceover, a whole anthology of tales can be heard, narrated in both English and Gaelic, stories of dog skeletons, drowned villages, and family members passing away, although songs, silence and the shipping forecast are just as at home there. But like any great collection, it’s not about the individual elements, but how they overlap, about how the crow hanging on barbed wire conjures up another story never told, about how the ripples seem to reverberate along with the woman’s harmonies, about how each anecdote floats over the rushing air. Sight by eye, sight by ear, two sights that ripple and flow together.

《制作人(Producer)》以电视人聚集地首尔汝矣岛为中心，讲述每天去电视台6楼上班的PD们(制作人/导演)作为一般上班族的办公室故事，加入综艺部(艺能局)各种各样故事的综艺电视剧

《制作人》讲述了电视台综艺部内发生的一系列故事。孔孝真和车太贤在剧中饰演PD，IU则饰演一位顶级女歌手，金秀贤饰演新入职的PD。

都说来世投胎还作人，他却只想作一张任人搬移踩坐的红色胶凳！青年阿明颓丧怯懦，过着一无是处的生活。打工日漫长，回家更是修罗场。同房妹妹与男伴日日翻云覆雨，逼得他无处可逃，不可告人的家庭秘辛更不时扰人清梦。为了另寻新居，他意外结识地产经纪阿娟，两人乍看剑拔弩张，实则惺惺相惜。然而生活仿佛永无止尽的漩涡，此生到底何时才是个头？

都说来世投胎还作人，他却只想作一张任人搬移踩坐的红色胶凳！青年阿明颓丧怯懦，过着一无是处的生活。打工日漫长，回家更是修罗场。同房妹妹与男伴日日翻云覆雨，逼得他无处可逃，不可告人的家庭秘辛更不时扰人清梦。为了另寻新居，他意外结识地产经纪阿娟，两人乍看剑拔弩张，实则惺惺相惜。然而生活仿佛永无止尽的漩涡，此生到底何时才是个头？

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.