劇中以派出所為舞台，描述基層警察中發生的故事……

Men-Chuan Yang, a fisherman with over half a century of fishing experience, sees the ocean in front of his home as if it were his parents, helping him shoulder the heavy responsibility of being the head of the family. Unlike most Hakka people who have memories of farming, his ancestors had already turned to the ocean for development. Even though his father once laughed at him for being clumsy and slowing down progress, Men-Chuan Yang still maintained diligent practice. He collected broken nets and learned his father's hand-woven fishing net technique. Although the nylon fishing line and netting machines from Japan have already replaced hand-woven fishing nets. But he still strives to pass on the skill of hand-woven netting to his grandson, because repairing fishing nets still relies on manual labor. The holes in the net need to be repaired by hand, and the holes in forgetting need to be avoided by generational inheritance. Men-Chuan Yang watches his grandson weave fishing nets, hoping he will remember the admonition "people must not forget their roots."

金持ちの家に盗みに入っては家人に防犯の心得を説いて帰る梅吉は…。舞台である昭和初期に名をはせた説教強盗・津田松吉がモデル。梅吉が現代(=放送当時)の地下鉄や都電に現れたり、鑑賞した映画シーンそのままに刑事と追っかけっこするなど、岡本喜八の演出の腕が冴える軽妙洒脱な一本。

「英雄傳」は元格闘家で構成された半グレ集団ストライクと、武術の達人による討伐隊の抗争を描いた物語。ストライクに苦戦する討伐隊の達人たちの望みは伝説の鞭拳空手継承者・光だったが、光は3年前の試合中の事故で対戦相手を殺めて失踪していた。そんな中、スーパーの駐車場で行われている特撮ヒーローショーに、光が新人として入門してくる。

剛畢業回老家的柏欣在家一點地位都沒有，哥哥看不起他、媽媽不願幫他買早餐，爸爸則希望他去死一死。 　　但算命師卻告訴柏欣他一定會成功，儘管「他們」不這麼認為……

遊樂場聚集著各式各樣的小恐龍，大家都成群結隊地玩耍，只有小暴龍獨自拿著球拍，四處尋找玩伴。終於，他找到了小腕龍一起玩，小暴龍細心地處處關照，深怕失去得來不易的玩伴。然而，過了一陣子後小腕龍卻突然消失不見，他去哪了？簡單的手繪感線條搭配輕快的鋼琴配樂，看似一致的群體，其實都是獨特的個體！

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

亚狼兴亚一均为好色之徒, 一为狼的前上司, 狼要巴结一哥, 四出猎艳并上妓寨以讨好一哥, 不料适逢警方大举扫黄行动, 狼及一被 C.I.D. 穷追. 一番生死膊击, 幸得脱险, 女警司更立奇功. 　　一哥为富家独子, 与父及后母同住, 他常当众被后母辱骂. 亚一为了显示财富的实力, 与狼合谋泡妞以资玩乐, 望享齐人之福及狩猎玩伴, 逐不惜与后母争持, 并奸其后母, 夺其游艇, 汽车给亚狼泡妞. 狼有香车别墅, 先享齐人之福, 然后计划移花折木, 把其2手货说成是选美佳丽, 高价让给亚一.