The BBC has decided to acquire NHK's Satoyama series of documentaries. It will acquire Satoyama: Japan's Secret Garden (1999) and Satoyama: Japan's Secret Watergarden (2004) and combine them into one program for broadcast, narrated by Sir David Attenborough. 　　The Satoyama series, which has just won the Grand Prix at the 28th International Wildlife Film Festival 2005, is produced by NHK and distributed by MICO. It poetically portrays the close relationship between people and nature in traditional rural environments in Japan. The first program, which focuses on the agricultural cycle of rice paddies on hillsides in Japan, has been distributed to over 80 countries worldwide. The second program takes a look at a traditional water-supply system called a "kabata", which not only provides water to village households but also nurtures a vast diversity of fish, insects, birds, and other creatures. Both programs offer insights into environmentally sustainable living. 　　Shin Murata, the originator and Executive Producer of the two programs, commented: 　　"I'm delighted that Satoyama will be airing in the BBC's 'Natural World' strand. The BBC's endorsement of Satoyama is particularly gratifying because one of my biggest inspirations for the programs was a BBC production titled 'Restless Year' which followed the seasons in one of England's rural areas". 　　Neil Nightingale, Head of the BBC's Natural History Unit, commented: "We decided to acquire Satoyam because it is a unique and beautiful portrait of rural Japan and the relationship between people and nature. It reveals an aspect of Japan that I am sure will be completely new to British viewers, and does it in a wonderfully lyrical style which I am sure will be popular with our 'Natural World' audience."

The BBC has decided to acquire NHK's Satoyama series of documentaries. It will acquire Satoyama: Japan's Secret Garden (1999) and Satoyama: Japan's Secret Watergarden (2004) and combine them into one program for broadcast, narrated by Sir David Attenborough. 　　The Satoyama series, which has just won the Grand Prix at the 28th International Wildlife Film Festival 2005, is produced by NHK and distributed by MICO. It poetically portrays the close relationship between people and nature in traditional rural environments in Japan. The first program, which focuses on the agricultural cycle of rice paddies on hillsides in Japan, has been distributed to over 80 countries worldwide. The second program takes a look at a traditional water-supply system called a "kabata", which not only provides water to village households but also nurtures a vast diversity of fish, insects, birds, and other creatures. Both programs offer insights into environmentally sustainable living. 　　Shin Murata, the originator and Executive Producer of the two programs, commented: 　　"I'm delighted that Satoyama will be airing in the BBC's 'Natural World' strand. The BBC's endorsement of Satoyama is particularly gratifying because one of my biggest inspirations for the programs was a BBC production titled 'Restless Year' which followed the seasons in one of England's rural areas". 　　Neil Nightingale, Head of the BBC's Natural History Unit, commented: "We decided to acquire Satoyam because it is a unique and beautiful portrait of rural Japan and the relationship between people and nature. It reveals an aspect of Japan that I am sure will be completely new to British viewers, and does it in a wonderfully lyrical style which I am sure will be popular with our 'Natural World' audience."

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

イシュ・パテルの「死後の世界」に刺激を受け、プリニウスの「博物誌」に想を得て、中世ヨーロッパの虚実入り乱れた生物を透過光台の上で粘土で絵を描いては変形させていった作品。

기울어져가는 이씨가문에 미령은 데릴사위로 남편 송지광을 맞이하나 지광의 무인지경 행동에 화병을 얻고, 이때 미령의 친구 여옥이 등장한다. 여옥은 미령을 간호하나 지광의 행패에 여옥과 미령은 무의식중에 지광을 살해한다. 그후 미령은 지광의 환영에 병세가 악화되어 숨을 거두자 지광과 여옥은 결혼한다. 이제까지 그들은 서로 짜고서 의식적으로 미령을 죽인 것이다. 지광과 여옥의 행복한 날들이 계속되는데 미령의 환영이 괴롭히기 시작한다. 지광은 정신착란을 일으켜 미령의 환영을 쫓다가 불에 타 죽고 여옥은 신경쇠약에 걸려 정신이상이 된다. 미령은 살아서 사죄하듯 여승이 된다. 　　李先生的家门，她的妻子是她的女婿，她的女婿是丈夫宋智辉，而他的妻子是他的影子。女皇在护理美灵的过程中，吕玉和美灵在无意识中杀死了池光。此后，美英因在地光的欢迎而病情恶化后，池光和吕玉结婚。到目前为止，他们相互勾结，有意识地杀死了美玲。志娟和女玉的幸福日子持续了，美令的欢迎开始折磨人。志光引起精神错乱，追逐美灵的欢迎，被火烧死，玉玉神经衰弱，精神失常。美玲可以以求情谢罪。

《博物奇妙夜》，马未都和他的朋友们，带您“夜访”丝绸之路沿线的世界级传奇博物馆，第一季精选汉唐丝绸之路起点西安：陕西历史博物馆；北魏最繁荣时期的丝路起点大同：世界文化遗产云冈石窟；新时代一带一路起点北京：故宫清明上河图3.0特展，最后马先生和他的朋友回到中国最早最大的私人博物馆，由马未都先生创立的观复博物馆，一起畅谈丝路文化。 　　有质感的文化，有滋味的风土，有好奇心的灵魂，是《博物奇妙夜》节目将带给你的不同以往的文化节目体验，除了难得的“夜访”与“独享”世界级的博物馆，观赏国宝级文物与历史遗迹，马未都和他的朋友们还将畅谈文明脉络，展示精彩技艺，探索民族精神，为观众带来“活的”文化体验。

《博物奇妙夜》，马未都和他的朋友们，带您“夜访”丝绸之路沿线的世界级传奇博物馆，第一季精选汉唐丝绸之路起点西安：陕西历史博物馆；北魏最繁荣时期的丝路起点大同：世界文化遗产云冈石窟；新时代一带一路起点北京：故宫清明上河图3.0特展，最后马先生和他的朋友回到中国最早最大的私人博物馆，由马未都先生创立的观复博物馆，一起畅谈丝路文化。 　　有质感的文化，有滋味的风土，有好奇心的灵魂，是《博物奇妙夜》节目将带给你的不同以往的文化节目体验，除了难得的“夜访”与“独享”世界级的博物馆，观赏国宝级文物与历史遗迹，马未都和他的朋友们还将畅谈文明脉络，展示精彩技艺，探索民族精神，为观众带来“活的”文化体验。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。