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    亲历者说 - 电视剧

    2023中国大陆人文·历史
    导演:阎大众
    2023年5月12日是“5·12”汶川特大地震十五周年纪念日。十五年后,我们依旧回望苦难。因为在一次次的回望中,生命的韧性和守望相助被再次印证,能被诉说的创伤在逐渐愈合,眼下火热沸腾的生活更能证明从苦难中一路走来的决心没有白费。 纪录片《亲历者说》通过对汶川地震亲历者当下生活的盘点,试图截取他们各自十五年生活中的一个片段,向所有曾经关注和知晓汶川地震的人们呈现这片土地上今时的生活状态。
    亲历者说
    搜索《亲历者说》
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    恶之花Ⅱ:日本侵华将领实录 - 纪录片

    2013中国大陆纪录片
    从1928年的皇姑屯事件到“九一八”;从伪满州国成立到“七七”事变;从太平洋战争爆发到神风特攻队自杀式攻击,这些事件背后活跃着一批日本法西斯军官及将领,他们胆大妄为,推崇以下克上,多次一意孤行挟持政府、绑架民意,终于使日本走上了战败的不归途。河本大作、板垣征四郎、梅津美智郎、山下奉文,这些名字我们既熟悉又陌生。他们都是些什么样的人,有着怎样的个性和经历?在中日战争及太平洋战争的关键时刻,他们都扮演了什么角色?这是一部描述偏执的法西斯狂人的故事。
    恶之花Ⅱ:日本侵华将领实录
    搜索《恶之花Ⅱ:日本侵华将领实录》
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    恶之花Ⅱ:日本侵华将领实录 - 纪录片

    2013中国大陆纪录片
    从1928年的皇姑屯事件到“九一八”;从伪满州国成立到“七七”事变;从太平洋战争爆发到神风特攻队自杀式攻击,这些事件背后活跃着一批日本法西斯军官及将领,他们胆大妄为,推崇以下克上,多次一意孤行挟持政府、绑架民意,终于使日本走上了战败的不归途。河本大作、板垣征四郎、梅津美智郎、山下奉文,这些名字我们既熟悉又陌生。他们都是些什么样的人,有着怎样的个性和经历?在中日战争及太平洋战争的关键时刻,他们都扮演了什么角色?这是一部描述偏执的法西斯狂人的故事。
    恶之花Ⅱ:日本侵华将领实录
    搜索《恶之花Ⅱ:日本侵华将领实录》
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    亲历国宴 - 纪录片

    2012中国大陆纪录片
    国宴作为一个国家规格最高的宴请,每当这一时刻来临,各国都会把最能代表自己国家的美食摆上国宴餐桌,向来宾展示着本国饮食文化与民风民情,对于有着饮食文化历史的中国而言,对国宴的重视程度非同一般。
    亲历国宴
    搜索《亲历国宴》
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    亲历国宴 - 纪录片

    2012中国大陆纪录片
    国宴作为一个国家规格最高的宴请,每当这一时刻来临,各国都会把最能代表自己国家的美食摆上国宴餐桌,向来宾展示着本国饮食文化与民风民情,对于有着饮食文化历史的中国而言,对国宴的重视程度非同一般。
    亲历国宴
    搜索《亲历国宴》
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    亲历大师 - 纪录片

    2011英国纪录片
    演员:Rebecca Front
    通过电视和广播为BBC制作的系列节目。包括弗洛伊德、荣格和伯特兰·罗素的罕见的、从未见过的档案。   ep01:人类,太人类了   ep02:大实验   ep03:文化战争
    亲历大师
    搜索《亲历大师》
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    亲历大师 - 纪录片

    2011英国纪录片
    演员:Rebecca Front
    通过电视和广播为BBC制作的系列节目。包括弗洛伊德、荣格和伯特兰·罗素的罕见的、从未见过的档案。   ep01:人类,太人类了   ep02:大实验   ep03:文化战争
    亲历大师
    搜索《亲历大师》
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    日本先锋派拓荒者 - 纪录片

    2025法国·英国·日本纪录片
    导演:Amélie Ravalec
    演员:Yukio Mishima Shûji Terayama Nobuyoshi Araki
    Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape.   The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, "Angura" theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design. A new aesthetic of photography was born: "Are, Bure, Boke" (rough, dark and out of focus), pioneered by Moriyama Daido and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji's era-defining photobook The Map captured the poignancy of Hiroshima's trauma. Master of underground theatre Terayama Shuji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kioshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan's answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light.
    日本先锋派拓荒者
    搜索《日本先锋派拓荒者》
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    日本!日本! - 电影

    2007以色列·德国·美国剧情
    导演:Lior Shamriz
    演员:Imri Kahn Amnon Friedman Irit Gidron
    The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him.   The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.
    日本!日本!
    搜索《日本!日本!》
    影视

    日本!日本! - 电影

    2007以色列·德国·美国剧情
    导演:Lior Shamriz
    演员:Imri Kahn Amnon Friedman Irit Gidron
    The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him.   The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.
    日本!日本!
    搜索《日本!日本!》
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