鹅凰嶂，传说是神仙的故居。神仙搬走后，人来了，把这里污染了。 　　本片纵横交错地，散碎地讲述了几个小镇年青人的故事，有企业主老板的儿子、工人、女大学生、黑社会、无业赌徒、警察——他们的追求、生存之道、得与失无不与这个时代息息相关，到最后他们发现这个时代给自己的选项并不多，要么逃避，要么与现实相安无事，随波逐流。

鹅凰嶂，传说是神仙的故居。神仙搬走后，人来了，把这里污染了。 　　本片纵横交错地，散碎地讲述了几个小镇年青人的故事，有企业主老板的儿子、工人、女大学生、黑社会、无业赌徒、警察——他们的追求、生存之道、得与失无不与这个时代息息相关，到最后他们发现这个时代给自己的选项并不多，要么逃避，要么与现实相安无事，随波逐流。

70高龄的半泽鹤子献身茶道，携带茶具在日本旅行，在旅途中为当地人演示茶艺和怀石料理。本片耗时两年拍摄，讲述鹤子把四世纪历史的技艺带到日本的乡野村镇。

70高龄的半泽鹤子献身茶道，携带茶具在日本旅行，在旅途中为当地人演示茶艺和怀石料理。本片耗时两年拍摄，讲述鹤子把四世纪历史的技艺带到日本的乡野村镇。

《茶路真兄弟》节目以“万里茶道”为历史背景，邀请林依轮、付辛博、李威三位男明星，以自驾形式重走“万里茶道”，感悟昔日茶商“栉风沐雨炼精神”的豪情壮志。 　　他们将从福建武夷山出发，穿越福建、江西、湖南、湖北、河南、山西、河北、内蒙等8个省份，贯穿茶道十大重镇，横穿中国，蒙古，俄罗斯三个国家，行程上万里，最终抵达万里茶道的终点俄罗斯恰克图。观众将通过明星视野认识了解“万里茶道”，并感悟中华文明的伟大。

《茶路真兄弟》节目以“万里茶道”为历史背景，邀请林依轮、付辛博、李威三位男明星，以自驾形式重走“万里茶道”，感悟昔日茶商“栉风沐雨炼精神”的豪情壮志。 　　他们将从福建武夷山出发，穿越福建、江西、湖南、湖北、河南、山西、河北、内蒙等8个省份，贯穿茶道十大重镇，横穿中国，蒙古，俄罗斯三个国家，行程上万里，最终抵达万里茶道的终点俄罗斯恰克图。观众将通过明星视野认识了解“万里茶道”，并感悟中华文明的伟大。

《鹤子的茶道之旅》讲述了已到古稀之年的茶道专家鹤子，为那些平日无缘接触茶道的人举办茶会的故事。鹤子驾驶着自己的爱车，带着各种厨具和传统茶具奔走在日本各地，去追寻那一生只能相遇一次的缘分。历经春夏秋冬，鹤子在沿途碰到了各种意想不到的奇遇。一场简简单单的茶会，可以在夕阳西下的夏日傍晚，也可以在细雪飘扬的寒冬清晨。鹤子的茶道之旅，帮助很多人找到了精神世界的真谛，也让自己的身心得到解放

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

The movie tells the story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young man's life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who is himself in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero's misconception of Japan and ours of him. 　　The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.

More than 40 years after making "Cléo de 5 à 7," Agnès Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking. Scenes from "Cléo" are included throughout the documentary.