Lamia，一个恋爱脑，充满少女情怀的年轻女人，对镇上一个叫Rabbit的男人产生了执着而疯狂的爱恋。心怀不轨的Rabbit利用Lamia对他的那份稚爱，让她走上了不归路。 　　短片的主要情节源自艺术家菲托•派兹的歌曲《Afternoons Of Sun. Nights Of Water》。歌词讲述了发生在偏远的内陆小镇一个年轻的女人被驱魔的故事，因为镇上的居民认为她讲话带上了不属于她的怪异口音。考虑到这点，编剧VD Menzella才使用这首歌作为对一些次要情节的补充说明，也支撑了主线故事。

《水耀日》主要围绕少年小山寻找梦中戈壁的海而展开。以“赤子之心”为主题，主要讲述了小山随着梦境的画面逐渐清晰真实，并在有了与梦境场景相同的明信片的指引下，不顾一切踏上了寻找的路。

苏安曾是大夏武神，带领大夏抵御外族入侵，挽救山河，立下不世功勋。后因父母车祸身故，未曾尽孝，心生悔婚，决意退隐，回到海城陪伴照顾妹妹苏瑶。不料苏瑶的未婚夫谢天宇为了利益不折手段，欺骗坑害苏瑶，害得苏瑶坠楼重伤。苏安为替苏瑶报仇，大闹谢天宇的签约酒会，惩治为富不仁的海城富商，但却暴露了自己武神身份。潜入海城的倭国间谍，绑架苏瑶，胁迫苏安。苏安为家为国，再次出山，肃清山河。

For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden. 　　In these rural surroundings, director Yoshigai Nao, who is also a dancer and choreographer, introduces a mysterious, fiery-red creature, like a walking scarecrow. This turns her delicate, documentary observations into an idyllic, yet disquieting fairytale. Folklore, arts and crafts, oral history, ecology, and mythology blend elegantly in this visual poem. Inside the gym, schoolchildren fight the red creature with all their might, Sumo-style, while outside the bears skip their wintersleep.

“the rain certainly doesn't fall for our convenience,but why did just watching it have such a calming effect on me ?” 　　河濑直美1996年，47mm纪录短片。 　　春夏秋冬，祖母的缓缓四季。

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.