1999年8月11日，欧洲大部分地区因为一场日蚀而陷入暂时的黑暗。彼时的在塞尔维亚，人们因害怕黑暗而将自己关在家中或避难所里。电影人娜塔莎·厄本以这场日蚀为主题和隐喻，通过从家人和熟人那里收集到的故事与见闻，穿越回了过去，重新回顾了前南斯拉夫战争期间她自己的成长故事，令人回味也发人深思。 　　“战争真的离我们远去了吗？”在这部存在主义影像作品中，导演以艺术家的眼光重新审视过去与现在，16毫米的模拟镜头里独具那份稀罕却珍贵的安静和分量十足的哲学意味。

博学的天文学教授（Georges Méliès 乔治•梅里爱 饰）正在给学生们上课，但调皮的学生无心听讲，一心打闹、捉弄老师。教授对此无计可施。 　　正争吵间，天空忽然变暗，教授连忙跑上阁楼，通过望远镜他看到了奇妙的一幕：一个女性的月亮正朝着男性的太阳靠近，继而重合，形成一次美妙的日食。俄而天空出现星斗，神仙、仙女坐在星星上飞来飞去，或者谈笑，或者吵闹，好不惬意。接着又出现精彩的流星雨景观，仙女们自天空中纷纷落下。老教授看得出神，一不留神自阳台栽下，吓坏了学生和助手……

博学的天文学教授（Georges Méliès 乔治•梅里爱 饰）正在给学生们上课，但调皮的学生无心听讲，一心打闹、捉弄老师。教授对此无计可施。 　　正争吵间，天空忽然变暗，教授连忙跑上阁楼，通过望远镜他看到了奇妙的一幕：一个女性的月亮正朝着男性的太阳靠近，继而重合，形成一次美妙的日食。俄而天空出现星斗，神仙、仙女坐在星星上飞来飞去，或者谈笑，或者吵闹，好不惬意。接着又出现精彩的流星雨景观，仙女们自天空中纷纷落下。老教授看得出神，一不留神自阳台栽下，吓坏了学生和助手……

The odds are low, the risks are high – photographer Reuben Krabbe is determined to capture an impossible photo of a skier in front of the 2015 solar eclipse in Svalbard, Norway. 　　Up in the high arctic though, the weather is bad and the pressure is massive. To add to the difficulty of the project, the guide is sketchy, there’s an active polar bear out there somewhere and the group of skiers that accompany him just want to ski.

这是以画家及导演宇格德蒙塔(Hugues De Montalembert ,他的自传<残杀光明>由三联出版).记录他因为某次袭击而失明后的生活，一反观者意识中概先以为之的认为是一部平实、温馨并且充满生活启示的记录电影，但Gary Tarn却使用实验性的方式，整部电影以宇格的旁白作为主要敘事方式，完全隐去了宇格的面目，表现在他在失去视力后，对生命的重新体悟。影像时而模糊、时而扭曲，全片充满实验电影的色彩，相当特別。

这是以画家及导演宇格德蒙塔(Hugues De Montalembert ,他的自传<残杀光明>由三联出版).记录他因为某次袭击而失明后的生活，一反观者意识中概先以为之的认为是一部平实、温馨并且充满生活启示的记录电影，但Gary Tarn却使用实验性的方式，整部电影以宇格的旁白作为主要敘事方式，完全隐去了宇格的面目，表现在他在失去视力后，对生命的重新体悟。影像时而模糊、时而扭曲，全片充满实验电影的色彩，相当特別。

70年代中期，小镇的餐馆内，一个陌生人毫无理由地攻击了当地有名的律师。居民帮助律师并对陌生人严厉指责。不久后，陌生人又一次遇到了律师以及他的妻子，并展开复仇，律师该何去何从？本片荣获2018年圣塞巴斯蒂安电影节多项大奖。

愛家、敬業又務實的劉建昇（藍葦華）跟老婆林芝祺（楚宣）是人人稱羨的模範夫 　　妻，但建昇雖盡職盡責卻不善交際，以致遲遲無法升職，有志難伸。當他突然被升為財務 　　長，連帶全家一同躋升上流，開心之餘，卻發現升職的代價比他想像的更大…

The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. 　　This character, whose formative years pass in the situation of broken and showing its cracks way of life, becomes a link between three of Sokurov's films. The whole 'trilogy' is joined together by the bitter irony regarding worn–out sacral symbols. Films Days of Eclipse, The Second Circle, The Stone, made in different years, are linked up with each other by one common plot: permanent co–existence of real everyday life, of so to say daily routine, with messages or messengers from Nowhere. 　　The young athlete from Days of Eclipse played by young non–professional performer Alexei Ananishnov is no less an archaic symbol of the former power of the collapsed Soviet empire than a recording of Brezhnev's speech sounding in the film or huge plaster cast Hammer and Sickle sticking out in the desert. 　　Dmitry Malyanov from Strugatsky's novel A Milliard Years before the End of the World has nothing in common with the character of Days of Eclipse beside the name. In fact, for Sokurov's hero the end of the world has already come and the border of this end has fallen on his life. The character who has been brought to the world of alien climate, alien speech, alien customs, learns not to be surprised at the cases of violence against others and himself — in order to survive, speaks to a dead body, tames and feeds exotic reptiles, and, on top of that, meets an angel appearing as a child. 　　This film was successful with the cinema audience of Perestroika years. Alexei Ananishnov later played the main part in one more film by Sokurov Mother and Son. 　　The film has been listed by the European Cinema Academy among 100 best movies of the XX century. 　　Alexandra Tuchinskaya 　　English translation by Anna Shoulgat, © 2002. 　　Prizes and awards: 　　1988. Special Award Felix of the European Cinema Academy to the composer Y. Khanin. 　　1988. NIKA Award of the Filmmakers' Union of the USSR to the Director of Sound V. Persov as Best Director of Sound. 　　1989. Laureate of the competition for Best Russian film of the year. 　　Award of the Filmmakers' Union of the USSR to S. Yurizditsky as Best Director of Photography.

The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. 　　This character, whose formative years pass in the situation of broken and showing its cracks way of life, becomes a link between three of Sokurov's films. The whole 'trilogy' is joined together by the bitter irony regarding worn–out sacral symbols. Films Days of Eclipse, The Second Circle, The Stone, made in different years, are linked up with each other by one common plot: permanent co–existence of real everyday life, of so to say daily routine, with messages or messengers from Nowhere. 　　The young athlete from Days of Eclipse played by young non–professional performer Alexei Ananishnov is no less an archaic symbol of the former power of the collapsed Soviet empire than a recording of Brezhnev's speech sounding in the film or huge plaster cast Hammer and Sickle sticking out in the desert. 　　Dmitry Malyanov from Strugatsky's novel A Milliard Years before the End of the World has nothing in common with the character of Days of Eclipse beside the name. In fact, for Sokurov's hero the end of the world has already come and the border of this end has fallen on his life. The character who has been brought to the world of alien climate, alien speech, alien customs, learns not to be surprised at the cases of violence against others and himself — in order to survive, speaks to a dead body, tames and feeds exotic reptiles, and, on top of that, meets an angel appearing as a child. 　　This film was successful with the cinema audience of Perestroika years. Alexei Ananishnov later played the main part in one more film by Sokurov Mother and Son. 　　The film has been listed by the European Cinema Academy among 100 best movies of the XX century. 　　Alexandra Tuchinskaya 　　English translation by Anna Shoulgat, © 2002. 　　Prizes and awards: 　　1988. Special Award Felix of the European Cinema Academy to the composer Y. Khanin. 　　1988. NIKA Award of the Filmmakers' Union of the USSR to the Director of Sound V. Persov as Best Director of Sound. 　　1989. Laureate of the competition for Best Russian film of the year. 　　Award of the Filmmakers' Union of the USSR to S. Yurizditsky as Best Director of Photography.