罗德尼·麦克米利安（Rodney McMillian）跨学科的实践追溯了美国历史与当代文化之间的密切联系。通过解构权威叙事，麦克米利安认为，艺术或能作为一种抵抗形式，开辟新的未来。《传道者》以表演的方式重释了桑·拉（Sun Ra）的思想。麦克米利安身穿美国传教士的传统黑色套装，打着领带，戴着宽檐帽，坐在空地的一把椅子上朗诵，内容是桑·拉与诗人约翰·辛克莱尔（John Sinclair）1966年访谈等内容的改编。

贫苦的小镇上，传教士极力想解救痛苦的灵魂，却受尽镇民讪笑怒骂。小镇青年在损友的怂恿下，逐渐步入犯罪边缘，笃信上帝的女友也随之陷入绝望，传教士及时阻止年轻人的犯行，并缓缓道出自己的荒唐过去。 　　为了凸显明星魅力，影片甚至以演员研读剧本、揣摩角色开场，并在背景投射出主角在片中的剧情转折。因为欧洲各地民情的差异，结局便拍了三种版本，三种结局也反映出丹麦、俄罗斯、瑞典完全不同的民族性。

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

故事发生在17世纪末，两位贵族家庭的女孩，安娜（伊莎贝尔·于佩尔 Isabelle Huppert 饰）和露西（Simon Reggiani 饰）来到圣希尔学校。这所学校是为那些在战乱中失去一切的贵族女孩们而设，由德曼特侬夫人创立。她为了救赎自己的灵魂，将学校托付给一位神职人员（琼-皮尔里·卡尔弗恩 Jean-Pierre Kalfon 饰），希望将其引向正路。 　　安娜和露西代表了那个时代贵族阶层的衰落。学校的使命是通过提供教育，帮助她们重新获得自由和尊严。但最令人感动的是德曼特侬夫人的决定。她放弃了自己的自由，将学校交给神职人员，以期在死后得以救赎。

When two siblings return to their childhood home, they are confronted by a violent, supernatural presence that dwells deep within their worst traumas.

王慧林习惯每天对着一尊关公像倾诉日常。栽培已久的葡萄藤因肥施多了日渐枯萎。随着丈夫逝世后她的第一个生日即将到来，她的生活也正悄悄地发生转变。 　　影片荣获第七届86358贾家庄短片周主竞赛单元最佳影片。

When two siblings return to their childhood home, they are confronted by a violent, supernatural presence that dwells deep within their worst traumas.

王慧林习惯每天对着一尊关公像倾诉日常。栽培已久的葡萄藤因肥施多了日渐枯萎。随着丈夫逝世后她的第一个生日即将到来，她的生活也正悄悄地发生转变。 　　影片荣获第七届86358贾家庄短片周主竞赛单元最佳影片。

派特·贝克（托尼·德普 Tony Doupe 饰）是小镇的一位警长。然而他的儿子科特·贝克（亚伦·布莱克利 Aaron Blakely 饰）却有着极其黑暗的过去。十三年前，他因残酷地杀害了自己的亲生母亲而被关进了精神病院。 　　然而噩梦就在科特逃离精神病院那刻开始了。精神错 乱的科特不仅大开杀戒，更展开了可怕的复仇杀戮。心急如焚的派特四处搜寻儿子科特，试图阻止他的疯狂行为。然而令他意想不到的是，正当派特发现线索来到丛林的时候，他居然发现了自己的女儿萨拉·贝克（阿莱娜·哈米特 Alena Dashiell 饰）正和朋友在这座森林里露营，众人旋即陷入命悬一线的险境之中。