父親過世、母親離家的土豆，與親人關係疏離，甫成年便投入社會。在搬金紙、噴農藥，甚至是遊走法律邊緣的謀生方式間，土豆與友人們也曾躁動想望、期盼翻轉，但不停離散與流動的生命旅程，卻讓他們沒有機會停歇與改變。有時像大人，有時又像小孩的他們，可有機會停止複製這樣的人生？

Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.

Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.

在葡萄牙的北岸，五个不同世代的女人正共同努力经营着她们的家族酒店，试图将它从一个无可避免的衰败中解救出来。与此同时，这个家庭深陷在一个长久无法解决的矛盾之中：她们都学不会爱自己的女儿，也因此她们都不懂要如何当一个母亲。外孙女Salomé（Madalena Almeida 饰）的突然到来搅乱了整个局面，所有的旧伤口都被撕开，潜在与沉积的怨恨都浮出了水面。于是，她的母亲Piedade（Anabela Moreira饰）作出了一个非常大胆的决定。 　　本作讲述的是酒店经营者一家的故事，入围第73届柏林电影节主竞赛单元。其姊妹电影《Viver Mal》则是聚焦于到访酒店的客人，入围同一届的奇遇单元。

在葡萄牙的北岸，五个不同世代的女人正共同努力经营着她们的家族酒店，试图将它从一个无可避免的衰败中解救出来。与此同时，这个家庭深陷在一个长久无法解决的矛盾之中：她们都学不会爱自己的女儿，也因此她们都不懂要如何当一个母亲。外孙女Salomé（Madalena Almeida 饰）的突然到来搅乱了整个局面，所有的旧伤口都被撕开，潜在与沉积的怨恨都浮出了水面。于是，她的母亲Piedade（Anabela Moreira饰）作出了一个非常大胆的决定。 　　本作讲述的是酒店经营者一家的故事，入围第73届柏林电影节主竞赛单元。其姊妹电影《Viver Mal》则是聚焦于到访酒店的客人，入围同一届的奇遇单元。

故事发生在17世纪末，两位贵族家庭的女孩，安娜（伊莎贝尔·于佩尔 Isabelle Huppert 饰）和露西（Simon Reggiani 饰）来到圣希尔学校。这所学校是为那些在战乱中失去一切的贵族女孩们而设，由德曼特侬夫人创立。她为了救赎自己的灵魂，将学校托付给一位神职人员（琼-皮尔里·卡尔弗恩 Jean-Pierre Kalfon 饰），希望将其引向正路。 　　安娜和露西代表了那个时代贵族阶层的衰落。学校的使命是通过提供教育，帮助她们重新获得自由和尊严。但最令人感动的是德曼特侬夫人的决定。她放弃了自己的自由，将学校交给神职人员，以期在死后得以救赎。

When two siblings return to their childhood home, they are confronted by a violent, supernatural presence that dwells deep within their worst traumas.

王慧林习惯每天对着一尊关公像倾诉日常。栽培已久的葡萄藤因肥施多了日渐枯萎。随着丈夫逝世后她的第一个生日即将到来，她的生活也正悄悄地发生转变。 　　影片荣获第七届86358贾家庄短片周主竞赛单元最佳影片。

When two siblings return to their childhood home, they are confronted by a violent, supernatural presence that dwells deep within their worst traumas.

王慧林习惯每天对着一尊关公像倾诉日常。栽培已久的葡萄藤因肥施多了日渐枯萎。随着丈夫逝世后她的第一个生日即将到来，她的生活也正悄悄地发生转变。 　　影片荣获第七届86358贾家庄短片周主竞赛单元最佳影片。