想你时风起:五年前，陆瑾泽眼睛失明，和宁宁彼此深爱，却遭遇危险导致失散。五年后，陆瑾泽成为首富继承人，一直苦苦寻找着宁宁，而宁宁早已失忆，带着四岁的女儿打工勉强维持生计，最终，他们再次相遇却一次次错过..

十八年年幼的刘月汐高烧不停，母亲张澜带她去医院的路上，发现了出轨小三的父亲刘英培。重男轻女的父亲连同小三，一起将母亲逼疯。幸好她被养父所救。如今回来为母亲夺回属于她的一切。没想到路上阴差阳错和李氏总裁李辰渊有了瓜葛，而他正是自己的未婚夫，面对如此霸道的男人，她又爱又恨。

纪云川车祸失忆后误将护工乔清露当做妻子，对曾经视若生命的夏月姝母女百般折磨，夏月姝无法承受痛苦，女儿可可的“离去”对她产生致命一击，她选择吞下失忆药远走异国。然而恢复记忆的纪云川，在发现可可的骨灰盒后彻底崩溃，开始展开漫漫追妻路。纪云川想尽办法帮助夏月姝恢复记忆，但夏月姝却不原谅不回头，绝望的纪云川决定跟乔清露同归于尽，千钧一发之际，可可回来了。

电影《那时风华》以塞罕坝机械林场建设为背景，串联起多代人与林场解不开的情缘故事，围绕男女主的爱情故事，展现当年塞罕坝上老一辈造林人的艰难岁月，传递出光荣与梦想、希望与使命的主旋律。

电影《那时风华》以塞罕坝机械林场建设为背景，串联起多代人与林场解不开的情缘故事，围绕男女主的爱情故事，展现当年塞罕坝上老一辈造林人的艰难岁月，传递出光荣与梦想、希望与使命的主旋律。

王家卫的未来计划中有两部作品备受瞩目，一部是改编自南京作家张嘉佳《从你的全世界路过》书中一篇的《摆渡人》，一部是改编自上海作家金宇澄长篇小说的…

九十年代的上海处处是机遇与希望。青年阿宝凭借改革开放的春风和自己的打拼跻身成为商界后起之秀，黄河路上无人不晓。平凡阿宝蜕变为宝总，离不开高人爷叔与夜东京老板玲子、外贸大楼汪小姐的鼎力协助。随着神秘女子李李空降黄河路，一家时髦饭店即将搅动整条街，也令宝总原本决胜千里的事业变得动荡惊心，他与身边人的关系也经受着前所未有的考验。与此同时，深圳股市的过江龙强总也随时会给阿宝致命一击。阿宝唯有向前，以赤子之心翻越高山，方可奔赴繁花满眼。

暂无剧情简介

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.