After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

In Devipuram, Gajapathi (Manoj Manchu), who hails from a once-powerful Zamindar family, still holds great respect and status in the village, but is haunted by poverty. Despite his struggles, Gajapathi shares an unbreakable bond with his two best friends: Varadha (Nara Rohith), a wealthy and influential man in the same village, and Sreenu (Bellamkonda Sreenu), an orphan raised by the community. 　　Meanwhile, Gajapathi’s grandmother (Jayasudha) serves as the trustee of the village temple. A corrupt minister (Sharath Lohitashwa) hatches a plan to illegally acquire the temple lands. Exploiting Gajapathi’s poverty, he lures him with the promise of big money to betray the temple and seize its lands.

In Devipuram, Gajapathi (Manoj Manchu), who hails from a once-powerful Zamindar family, still holds great respect and status in the village, but is haunted by poverty. Despite his struggles, Gajapathi shares an unbreakable bond with his two best friends: Varadha (Nara Rohith), a wealthy and influential man in the same village, and Sreenu (Bellamkonda Sreenu), an orphan raised by the community. 　　Meanwhile, Gajapathi’s grandmother (Jayasudha) serves as the trustee of the village temple. A corrupt minister (Sharath Lohitashwa) hatches a plan to illegally acquire the temple lands. Exploiting Gajapathi’s poverty, he lures him with the promise of big money to betray the temple and seize its lands.

怀着孕的沈青，照顾着患有脑瘫的叔叔，他有被赶出疗养院的风险。 时间紧迫，但她和丈夫勉强承受。 当她得知自己的孩子有70%的几率先天残疾的消息时，她的婚姻陷入危机，夫妻两人为残疾胎儿的命运争论不休，而这个未出生的灵魂却同情地观察着一切。

怀着孕的沈青，照顾着患有脑瘫的叔叔，他有被赶出疗养院的风险。 时间紧迫，但她和丈夫勉强承受。 当她得知自己的孩子有70%的几率先天残疾的消息时，她的婚姻陷入危机，夫妻两人为残疾胎儿的命运争论不休，而这个未出生的灵魂却同情地观察着一切。

Ewa is a young ambitious engineer who starts to work for the team of an acclaimed architect Jerzy. Gradually she becomes aware of the bizarre relations he has with his wife and lovers.

正派道士在除妖过程中被妖怪重伤，恰好被刚化形成功的小花妖所救，小花妖隐瞒身份和道士在一起两人本来过着幸福的生活，但不久之后意外发生，正道不允许妖和人在一起，对他们进行了追杀

十六年前，堂溪梨亲眼看到母亲被逼跳楼，她随之被放逐到国外。经过十六年的韬光养晦，堂溪梨竟成为金融大佬，毅然回国展开复仇计划。在雍执序的不断相助下，揭开了母亲当年被害真相，互相救赎下成就了佛子配佳人。

十六年前，堂溪梨亲眼看到母亲被逼跳楼，她随之被放逐到国外。经过十六年的韬光养晦，堂溪梨竟成为金融大佬，毅然回国展开复仇计划。在雍执序的不断相助下，揭开了母亲当年被害真相，互相救赎下成就了佛子配佳人。