Young wannabe novelist Dominique lives a fickle live in Berlin's hipster community. When her publisher turns down her manuscript for being 'inauthentic', she sets out with a lively kebab vendor trough a forgotten valley in the Swiss Alps where she comes face to face with love, loss and a Fiat Panda obsessed pimp. Left humiliated but inspired, she returns to Berlin with her first novel: TEMPO GIRL - The Story of a Generation.

主人公はひょんな事から『ビックリすると少し過去にタイムスリップしてしまう』という体質になった、プロレス好きの女性。しかもその体質は、『びっくりさせた人』も一緒に過去に連れていってしまうので、なおさら厄介であった。そもそもソロ活大好きで一人でいたい彼女だったが、よりにもよって苦手なタイプの、超おっちょこちょい体質の後輩に翻弄されてしまう。なので彼女は自分の体質を改善するために奔走するのであった。この物語はそんな、体質改善SFバディムービーなのである。

Kim and Ron start out a new school year, only to find out that Ron's family is moving to Norway. This puts a strain on their partnership, just as Dr. Drakken, Monkey Fist, and Duff Killigan team up to find and use an ancient time travel device to rule the world. Attacking Kim in the past, present, and future, can these villians succeed? Or will an unforeseen force be more destructive?

在一位哲学教授激昂描述的过程中，Bill Viola的作品和那些关于时间的飘渺概念似乎突然变得可以被把握了。

The adventures of three teenage girls - Inken, Vicky and Lena - and their quest to have their first orgasm.

女主角在和男友相恋多年后，因为害怕男人已经厌倦了这段感情而选择离开。女主角甚至以整容这种极端的方式来彻底改变自己的面容，半年后以全新的样貌和身份出现在男友面前。在反复的试探之后，女主角却发现，原来男友依然深爱着原来的自己。 　　有一天男主角终于了解到事情的真相，他感觉受到了欺骗和玩弄，为了报复他决定也去做整容手术，让女主角去茫茫人海中寻找面目全非的他。

相貌在爱情中是否能敌得过时间？世喜（成贤娥 饰）和智宇（河正宇 饰）已经相恋多年，但是世喜慢慢觉察，爱情好像被时间冲淡了，智宇已经开始厌倦这段感情。世喜惊恐，决定离开男友。 　　半年后，智宇交往了一位新女友，他觉得她身上有世喜的味道，于是陷入了几年前和世喜热恋的甜蜜回忆中 ，即使新女友的相貌比世喜漂亮，但是他的爱与世喜的样子已经融为一体。智宇向新女友坦白自己的感受，却想不到，眼前的新女友正是世喜，她为了重获男友欢心，去了整容。世喜听到智宇对自己的一往情深，不禁狂喜。然而二人能否再续前缘，迎来大团圆结局？

讲述度过人生最后时光的男主（金正贤 饰），为了因为他而毁掉自己的人生的女主（徐珠贤 饰）而赌上全部、拼死奋斗的故事

This film, which has been shown twice in France on the Arte channel but is, I believe, not available on video, is one of the most impressive films from one of the francophonic world's greatest directors. Beginning in South Africa under the apartheid regime, it follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa. This is a vastly ambitious film, attempting as it does to deal with a number of cultures and countries of contemporary Africa, each with its own history, language, and political and social conflicts. At its center are two immensely impressive performances by the actresses who play the heroine, first as a young girl, and later as an adult. Thus it manages to be at once an intimate portrait of a young woman, and a vast fresco of much of a continent.