该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。

该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。

那一天，12名未成年少年少女为了安乐死相约废弃医院。到了约定的地方，他们却在那里发现了一具还有余温的尸体！明明这个安乐死计划只有他们自己才知道才对……到处可见不自然的犯罪痕迹，而后又接二连三地发生诡异事件。突发状况让原本单纯的安乐死计画发生变卦，想死，却又怕被残忍杀害的少年少女们，开始互相猜疑、欺骗，全员陷入困境，一分一毫的掉以轻心都足以致命。遍寻不着出口、无法停止的悬疑密室游戏就此展开！

當活着比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的…

An ambitious newspaper reporter (Dick Powell), eager to scoop the competition, wishes he could know the news before it happens. A mysterious old man (John Philliber) grants the reporter that power, even as he cautions against using it. Now able to predict the news 24 hours in advance, the reporter goes about scooping all the other papers, picking sure-fire winners at the race track, and enjoying life... until he learns -- in advance, of course -- of his own death. Our hero's problem: How can he keep the future from happening?(imdb) 　　主人公每天晚上都收到一份次日早上出版的报纸，他获悉自己在数小时内即将毙命，然而他却幸存下来了。（乔治·萨杜尔《世界电影史》）

该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。

该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。

源氏鶏太の原作を新藤兼人が脚色した、ドライな味わいのホーム・コメディ。新藤脚本の映画化を多数手掛ける吉村公三郎監督が、大映東京が誇る華やかなキャスト陣の個性を活かしつつ、打算や裏切りの入り混じる男女の恋愛模様を、クールな視点で見つめている。長いサラリーマン生活を終え、定年退職を迎えた男やもめの平太郎（山村）は、上司と不倫中の長女（若尾）ら、嫁入り前の4人の娘と財産を分け合い、第二の人生を歩き出す。

尹心悳（张美姬 饰）的才能得到了大家的认可，于1919年成为了最早公费留学中的一员。在东京音乐学院里苦修声乐技巧的同时，尹心悳以她自由奔放的性格在众多学生中有着极高的人气。同心德一起到日本留学的洪兰坡（李璟荣 饰）也对她存有不同寻常的感情。可是尹心悳却通过洪兰坡认识了戏剧 艺术协 会的金祐镇（林成敏 饰）并且一见钟情。感情上一向细致谨慎的金祐镇被尹心悳火样的热情吓了一跳，但几次的磨擦之后，两人讯速的坠入了爱...

“We were prepared to go into the war, but we were not prepared to come out,” says 23-year-old Rob, who recently returned from Iraq, in The Not Dead. Incorporating the stories of three different men from two generations, the film describes how war experiences can cause serious and permanent mental anguish. Besides Rob, Eddie, who served in Bosnia, and Cliff, who returned from Malaysia a broken man in 1951, provide insight into what post-traumatic stress disorder really means. In candid interviews, they are prepared to relive their toughest moments during and after the wars they served in. 　　Director Brian Hill films the men in an unembellished manner, intentionally placing them against a backdrop of archive footage and their current everyday reality, in which they still seem isolated. Poet Simon Armitage wrote a series of poems based on their deeply emotional accounts, and the men recite these as they look straight into the camera. In the process, the revisited nightmarish experiences intensify their history, rendering it universal. 　　源自：https://www.idfa.nl/en/film/4e70829d-f07c-45b7-a7dd-cd6d2eca27b6/the-not-dead