克里斯蒂安（克拉斯·邦 Claes Bang 饰）和妻子离婚后，带着小女儿（Lilianne Mardon 饰）开始了全新的生活。克里斯蒂安在一间艺术馆里担任策展人的职位，最近，他正在筹划一项名为“方形”的装置展览，希望宣扬一种人人平等互助的积极向上的理念。 　　一场意外中，克里斯蒂安的手机被偷了，通过GPS定位，克里斯蒂安找到了偷手机的小偷所居住的公寓，深夜里，克里斯蒂安向该大楼的每一户居民家的门缝里塞进了一张指控书，哪知道这不经思考的举动，为他惹出了大麻烦。为了宣传展览，克里斯蒂安找来了传媒公关公司的代理人，哪知道这两个不靠谱的男人，很快就将这个展览搅成了一锅粥。祸不单行，克里斯蒂安和女记者安妮（伊丽莎白·莫斯 Elisabeth Moss 饰）之间的一段露水情缘让安妮对他展开了猛烈的攻势。

克里斯蒂安和妻子离婚后，带着小女儿开始了全新的生活。克里斯蒂安在一间艺术馆里担任策展人的职位，最近，他正在筹划一项名为“方形”的装置展览，希望宣扬一种人人平等互助的积极向上的理念。 一场意外中，克里斯蒂安的手机被偷了，通过GPS定位，克里斯蒂安找到了偷手机的小偷所居住的公寓，深夜里，克里斯蒂安向该大楼的每一户居民家的门缝里塞进了一张指控书，哪知道这不经思考的举动，为他惹出了大麻烦。 为了宣传展览，克里斯蒂安找来了传媒公关公司的代理人，哪知道这两个不靠谱的男人，很快就将这个展览搅成了一锅粥。祸不单行，克里斯蒂安和女记者安妮（伊丽莎白·莫斯 饰）之间的一段露水情缘让安妮对他展开了猛烈的攻势。

Director Gernot Wieland worked for twelve years with an animal trainer who taught birds to fly in circles or squares. The film examines how aesthetic norms influence Western views of the world and why these norms end in failure.

Director Gernot Wieland worked for twelve years with an animal trainer who taught birds to fly in circles or squares. The film examines how aesthetic norms influence Western views of the world and why these norms end in failure.

What is work? In physics, it’s the transfer of energy. Force moves an object, carries it some distance. Then… how does it actually work? And what about us—how do we work? What for? Why work? Does it really work? Again, what is work?

What is work? In physics, it’s the transfer of energy. Force moves an object, carries it some distance. Then… how does it actually work? And what about us—how do we work? What for? Why work? Does it really work? Again, what is work?

实际电影分为三个部分，但故事线只有两条：一条是关于苏联的各种医学实验，包括尝试制造苏联自己的super being；另一条是纪录一对连体女婴肢体分离的手术和后续的生活。故事的结构主要是独立footage加旁白。这些footage来源都没有考证，画质各有不同，被剪辑得很支离。在电影的不同部分导演也会参插暗示和象征，如静物色调的变化和红灯下少女的自白。意外的是电影还引用了Manchu Code和Thomas Mann的《魔山》。@ Adam Lassnig

Seven fictional portraits, seven evocations of shadow workers. They "like", "tag", "troll" or engage in "opinion mining". They are in Dhaka, Krakow or North Carolina. The Clickworkers video evokes the multitude of people who accomplish, all day long and for a ridiculous salary, tiny and innumerable tasks which aim to make the internet more comfortable or to influence our vision of the world. The same voice speaks the testimonies of these invisible women. In the image, empty and neutral interiors follow one another, like so many representations of their absence.

Scrubbers is a 1982 British drama film directed by Mai Zetterling and starring Amanda York and Chrissie Cotterill. It was shot primarily in Virginia Water, Surrey, England. It was inspired by the success of the 1979 film Scum. 　　A novel based on the film, and also entitled Scrubbers, was written by Alexis Lykiard and published in London by W. H. Allen Ltd in 1982. 　　Two girls escape from an open borstal. Annetta (Chrissie Cotterill) wants to visit her baby daughter who is being raised in a convent. Carol (Amanda York) plans to be recaptured and sent to the closed borstal where her girlfriend Doreen is being held. Carol's plan works, but she is devastated to find that Doreen has a new girlfriend. Doreen and the girlfriend taunt Carol. Annetta is arrested at the convent and sent to the same closed borstal. She assumes Carol "grassed" her up and proceeds to plan her revenge. Inmate Eddie professes her love for Carol and offers protection, so Carol begins a relationship with her. Annetta's constant bullying attempts keep her in solitary confinement. When Eddie is released Carol loses her protection and Annetta plans another attack.

53岁的杨太发父母双亡，妻子也在前年病逝，他一人独自带着四个孩子在贵阳打零工过日子。本片跟踪拍摄了他们一家人住在临时工劳务市场旁一家10元招待所的故事。