监察御史姬严纶突遭诬告贪污，被下旨抄家流放。其女姬如雅欲寻宫中为妃的妹妹求助，却被父阻拦。当夜，黑衣人血洗姬府，姬严纶惨死，姬如雅侥幸被医者秦墨言家丁所救。秦墨言告知因入宫为太后诊治延误救援，姬如雅悲愤立誓复仇，获其承诺相助。 宫中演武场，皇帝萧珩与七弟萧璟比试时突遭刺客。混乱中，姬如雅冒死高呼“圣上小心”示警，意外受伤。皇后妃嫔各怀心思，皇帝却因姬如雅酷似故人的容颜深疑。姬如雅被秦墨言救治后带毒苏醒，静养中惊觉：“我很像她？”其身世或藏惊天隐秘。同时，萧璟追查发现刺客身着宫服，幕后黑手深藏宫闱。本集以姬氏灭门惨案拉开序幕，深宫暗影重重。

《清宫计》是橙光影业出品，酷影传媒制作，橙光影业、郝时光影业联合制作的古装宫斗爱情剧，由王天楚担任监制、导演，王怡担任导演，王宥浩担任联合导演，郝紫薇、邹雨、惠惠担任编剧，余茵、柳甯、叶皓然、李佑霖等主演。 　　该剧改编自橙光游戏《清宫计》，是橙光所有宫斗游戏的始祖，在2013年问世的史上第一款宫斗游戏，一个时代的起点，一切经典作品的源头。讲述了当朝检察院御史姬严纶惨遭蒙冤流放被刺杀，其女姬如雅为父洗冤，于是改头换面进入皇宫，步步为营、探查真相的故事。在有限的时间内她该如何寻找凶手？后宫险恶，入宫后，她又如何面对接下来的重重危机与三个命定男子对她的示爱？

由光绪皇奉西太后（慈禧太后）之命选妃开始，故事历百日维新、义和团之乱、八国联军之役及孙中山先生起革命等事件，至光绪皇及西太后死亡为止。

大婚之日，本是将军府和穆王府两家阖家欢喜，青梅绕竹马永结同心的大好日子。不料圣旨一道，将穆王府上下三百多条生命送上刑场。穆长欢本该在那日随父母哥嫂一起去那极乐之地，却被神秘女子救下并换了不属于穆长欢的脸，从此踏入吃人的后宫，为穆王府洗去冤屈

大婚之日，本是将军府和穆王府两家阖家欢喜，青梅绕竹马永结同心的大好日子。不料圣旨一道，将穆王府上下三百多条生命送上刑场。穆长欢本该在那日随父母哥嫂一起去那极乐之地，却被神秘女子救下并换了不属于穆长欢的脸，从此踏入吃人的后宫，为穆王府洗去冤屈

由光绪皇奉西太后（慈禧太后）之命选妃开始，故事历百日维新、义和团之乱、八国联军之役及孙中山先生起革命等事件，至光绪皇及西太后死亡为止。

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.

我爱了裴修衍十二年， 却未感动他分毫， 只换来他听信白莲花的一面之词， 把怀孕的我从阁楼扔了下去，小产的伤痛尚未痊愈， 便传来裴修衍将叶家灭门， 那唯一的证物， 是我亲手从父亲手里， 拿来献给裴修衍的城防图， 他拿我的一片真心， 化作利刃刺向我的家人， 自此我一病不起， 最后裴修衍只能请出卫大夫为我诊治， 卫大夫把脉后， 面色渐渐难看， 裴修衍素来俊朗的眉眼跟着皱了起来