Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. 　　The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 　　 　　源自：https://iffr.com/en/iffr/2023/films/blank-photograph 　　------------- 　　This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. 　　In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. 　　In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 　　源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. 　　The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 　　 　　源自：https://iffr.com/en/iffr/2023/films/blank-photograph 　　------------- 　　This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. 　　In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. 　　In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 　　源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

平凡的女孩Feride Çaglar（Devrim Özkan饰）与父亲、继母以及一大帮兄弟姐妹一起生活，日子过得紧巴巴，倒也平静。一天晚上Feride目睹了Aziz Korkmazer（Kadir Dogulu饰）的凶杀案，她决心向警方举报。然而，Feride得知她的兄弟Firat也牵涉其中。

平凡的女孩Feride Çaglar（Devrim Özkan饰）与父亲、继母以及一大帮兄弟姐妹一起生活，日子过得紧巴巴，倒也平静。一天晚上Feride目睹了Aziz Korkmazer（Kadir Dogulu饰）的凶杀案，她决心向警方举报。然而，Feride得知她的兄弟Firat也牵涉其中。

本片邀请意大利演员玛利亚·格拉齐亚·古欣娜塔在中国开启一段见证中国变化的旅程，通过外国嘉宾视角讲述中国故事，向外国观众讲述中国的巨大发展以及中国共产党在其中发挥的领导作用，诠释只有中国共产党才能带领中国人民实现民族复兴的必然性。

一位年轻时经营灯饰店的女人，现在失去所有的记忆，随着一位男人进入豪宅，她仿佛被雨水打中了本能。她开始感到害怕，男人还偷偷溜走并暗中监视，这似乎陷入了僵局。

一位年轻时经营灯饰店的女人，现在失去所有的记忆，随着一位男人进入豪宅，她仿佛被雨水打中了本能。她开始感到害怕，男人还偷偷溜走并暗中监视，这似乎陷入了僵局。

全京城皆知顾丞相之子顾云峥将迎娶沈家独女沈凝。然而，云国规定女子年满二十未嫁，官府将为其指配婚约，甚至可能嫁猪嫁狗。眼看沈凝即将年满二十，顾云峥却宣布要纳沈凝收留的孤女为贵妾，且地位高于沈凝。沈凝心痛不已，决定取消婚约，另嫁他人。顾云峥不信，仍与那孤女亲密往来。沈凝心灰意冷，远嫁江南富商。顾云峥得知后，不顾即将举行的婚礼，追至沈凝家中，却为时已晚。

政府发短信通知居家隔离、储备物资，严禁违法暴力。我刷到精神病患者感染变异新冠后撕咬护工的视频，评论称护工喉管被咬断，疑成丧尸，可视频很快消失、用户也不存在。老妈发来短信截图，想出门买米面，我急忙致电阻止，让她和弟弟峰峰留在家中，预感将有大事发生。

政府发短信通知居家隔离、储备物资，严禁违法暴力。我刷到精神病患者感染变异新冠后撕咬护工的视频，评论称护工喉管被咬断，疑成丧尸，可视频很快消失、用户也不存在。老妈发来短信截图，想出门买米面，我急忙致电阻止，让她和弟弟峰峰留在家中，预感将有大事发生。