影片改编自吉行淳之介撰写的同名小说，讲述小说家矢添（绫野刚 饰），自从妻子离去、婚姻失败后而害怕去爱女性，同时又无法抑制被爱欲望的扭曲心理。他陷入了与妓女千枝子（田中丽奈 饰）、女大学生濑川纪子（咲耶 饰）的三角关系中。

影片改编自吉行淳之介撰写的同名小说，讲述小说家矢添（绫野刚 饰），自从妻子离去、婚姻失败后而害怕去爱女性，同时又无法抑制被爱欲望的扭曲心理。他陷入了与妓女千枝子（田中丽奈 饰）、女大学生濑川纪子（咲耶 饰）的三角关系中。

After her husband dies suddenly, Minhee (Yoo Da-in) goes to Jeju Island to live in her husband′s hometown. It is the place where she can meet people with whom she can share the memory of her husband and the house he cherished. As a writer and lifeguard, she begins to feel comfortable there until she learns about the past of Mokha (Cho Eunji), her neighbor. She thinks they can be good friends at first. But in fact there is some secret story in their relationship. The film begins with calm sorrow, but as the story develops, it reveals episodes that are impossible to expect. With the actors′ veteran performance that unfold this sad, unexpected, and cheerful story, The Cave becomes filled with both sadness and shining moments. (HONG Eunmi)

丈夫突然去世后，敏熙（Yoo Da-in）前往济州岛，住在丈夫的家乡。在这里，她可以结识一些人，与他们分享对丈夫和他所珍视的房子的记忆。作为一名作家和救…

《天上，天上，茉莉，茉莉》是杨福东2002年创作的影像作品。不同于以往飘忽游离、抽象诗意的影像风格，这部作品更为写实，对于细节的刻画，像是房间里的日常生活场景和都市男女的相处方式，也更加真实生动。一对身着白色衬衫的都市男女，站在大厦的天台上对视、依偎，用直白大胆的情歌诉说他们对彼此的依恋和对未来的憧憬。屏幕之间的呼应和歌曲的插入丰富了作品的叙事结构，烘托出冷峻都市中年轻情侣的浪漫情怀。影像中钢铁丛林间的那对情侣成为世纪之交年轻一代的缩影，在理性与感性、过去与现在、平稳与变动间徘徊。面对时代的更迭，尽管焦虑不安，他们仍旧大胆尝试，努力拥抱稍纵即逝的真实。——UCCA Edge

影片以日本导游玉城遥的身世之谜为主线，讲述了玉城遥从日本来到中国内蒙古大草原，寻找亲生母亲图雅的艰辛历程和内心变化，并最终扎根在内蒙古，为基层医疗卫生事业奉献终身的感人经历。

影片以日本导游玉城遥的身世之谜为主线，讲述了玉城遥从日本来到中国内蒙古大草原，寻找亲生母亲图雅的艰辛历程和内心变化，并最终扎根在内蒙古，为基层医疗卫生事业奉献终身的感人经历。

爸爸卖掉了他们的小骆驼奥汀卡，骆驼母亲玛拉因此跑出去找奥汀卡。玛拉的失踪对家裡是潜在的灾难，所以长子小贝也跑出去找玛拉。本片一部分像是公路电影，另一部分也能跟著少年贝尔横跨卡尔梅克大草原展开冒险。

该剧讲述为了给死去的姐姐报仇，进行伪装和仇人弟弟结婚的一个勇敢女人的凄惨故事。

Victor, an unemployed film director, his wife just died and left him a 9-year-old son. The difficulties depressed him so much and he became a drunk. The alcoholism was the only way to allow him to escape into the LaLaLand, the drunken illusions had become so real that he evolved into a great dreamer, telling wonderful stories to his son. His drunkenness also made him a would-be director who thought he himself actually directed those fantastic stories he told his son.