阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

阿根廷新浪潮电影大师托雷尼尔逊最好的作品之一，1961年嘎纳国际电影节费比西奖，60年代最重要的阿根廷新电影之一，喜欢Jean Cocteau或者Georges Franju的应该会同样喜欢这部影片吧。 　　Leopoldo Torre Nilsson was probably the best film director in Argentina. He was a man with a vision. He was the one that elevated the local cinema and put it on the map in the late 50s and early 60s. He almost always worked on screen plays based on his wife, Beatriz Guido's novels, as is the case here. 　　This gothic tale of hidden monsters and well kept secrets among the provincial bourgeoisie had more impact for me the first time I watched it. On second viewing what seemed so eerie before doesn't hold true any more. 　　The husband-and-wife team of Beatriz Guido and Leopoldo Torre-Nilsson once again write and direct, respectively, to create another drama about the lives of an upper middle-class segment of society. In this engaging story, a young woman, Laura (Elsa Daniel), comes back from boarding school to a home that has seen wealthy days but is now barely managing. She discovers that an aunt has locked herself up in the attic to spend the rest of her life mourning the loss of her one great love, a loss that occurred when the man jilted her on their wedding day. Laura decides to hunt the man down and bring him to meet her aunt, just to save the woman from herself. She succeeds in tracking him, and convinces him to visit her aunt, while she herself is very much taken with his charm and stunningly handsome looks. The entire scenario shifts after Laura's original objective is reached.

Short film about a guy who just lost his mother, grieves and did not become acclimatized to it.

Short film about a guy who just lost his mother, grieves and did not become acclimatized to it.

沈星黎遭渣男背叛，买醉后与闺蜜的小叔叔发生关系并被迫结婚。婚后，桑牧野视妻如命，不惜亲手鞭打亲哥为沈星黎报仇，还为保沈星黎仕途而放弃惜日仇恨。一场蓄谋已久的意外，让两人成为彼此人生的一束光。

沈星黎遭渣男背叛，买醉后与闺蜜的小叔叔发生关系并被迫结婚。婚后，桑牧野视妻如命，不惜亲手鞭打亲哥为沈星黎报仇，还为保沈星黎仕途而放弃惜日仇恨。一场蓄谋已久的意外，让两人成为彼此人生的一束光。

希特勒臭名昭著的U型潜艇战正在酣战之际，一艘U型潜艇与返航途中美国海军的“箭鱼”号不期而遇。经过短暂的激战，德国人俘虏了一批美军将士。U型潜艇在航行途中又被美军舰艇发现，在敌人潜艇上的这群美军战俘会采取什么样的行动呢？是帮助纳粹潜艇躲过一劫以保全性命，还是破釜沉舟与敌人拼个鱼死网破呢？

云初霁遭顾寒时为白月光屡次凌虐。女仆惨死、父亲跳楼、双腿残废，她心死提离婚却被囚禁。怀孕后更被强行夺取胎盘，最终在地下室一尸两命。直到死亡诊断书甩在脸上，那个负心汉才跪地崩溃——可惜他再也追不回她的心。