两个男孩的关系超越了友谊的界限后，其中一人不告而别。某天他带着不治之症归来，渴望修补这段感情，与挚爱共度余生。

两个男孩的关系超越了友谊的界限后，其中一人不告而别。某天他带着不治之症归来，渴望修补这段感情，与挚爱共度余生。

After the relationship between two boys develops past the point of friendship, one of them leaves without a word. One day, he returns with an incurable illness hoping to fix their relationship and spend his final days with the one he loves.

After the relationship between two boys develops past the point of friendship, one of them leaves without a word. One day, he returns with an incurable illness hoping to fix their relationship and spend his final days with the one he loves.

10月4日起，每周二10点更新。由卧牛真人小说《修真四万年》改编，讲述了未来科幻修真世界下，炼器天才李耀因灵能开发度过低而一直无法突破瓶颈，而后机缘巧合下获得了四万年的修炼知识，由此开挂，却仍错失联考。在朋友和导师的鼓励下，靠自己的意志力夺回参与联考的机会，最终进入心仪大学，步入实现自己成为炼器师梦想的故事。

10月4日起，每周二10点更新。由卧牛真人小说《修真四万年》改编，讲述了未来科幻修真世界下，炼器天才李耀因灵能开发度过低而一直无法突破瓶颈，而后机缘巧合下获得了四万年的修炼知识，由此开挂，却仍错失联考。在朋友和导师的鼓励下，靠自己的意志力夺回参与联考的机会，最终进入心仪大学，步入实现自己成为炼器师梦想的故事。

由卧牛真人小说《修真四万年》改编，讲述了未来科幻修真世界下，炼器天才李耀因灵能开发度过低而一直无法突破瓶颈，而后机缘巧合下获得了四万年的修炼知…

在戈哈第7小学上学的王道游我，是个每天都对各种道进行开发的小学5年级生。他对大人们管理的决斗感到无趣，他创出了谁都能乐在其中的新规则。某一天，从隔壁班的卢克那里传出了关于“决斗王”的传闻。然而当兴致勃勃的游我和卢克到达目的地时却发现早有人在，那块似乎拥有特殊意义的石碑前出现了神秘的人物…… 为了被认可成为决斗王，必须在限定的时间内通过决斗取得胜利！

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.