The factory Romain and Adémar work at went up in flames, so they take the opportunity to live in idleness together for three days, in the mild summer.

The factory Romain and Adémar work at went up in flames, so they take the opportunity to live in idleness together for three days, in the mild summer.

这是凤冠影业公司创业五周年巨制，以日据时代的台湾为背景拍摄，很有意思的是本片导演姚凤磐的父亲早年是在日本留学的，但姚凤磐并不崇日，当时姚凤磐一家已经拿到美国绿卡。身在美国旧金山的姚凤磐飞回台湾，拍了这部电影。女主角是与姚多次合作的王钏如，在片中饰演汉奸许嘉义（岳阳饰）的太太秋芹，男主角则是梁修身，这也是姚凤磐第一次跟梁合作，他在片中饰演医生郭志雄。许帮日本人做事，迫害中国同胞。秋芹恨自己的丈夫，直到她遇到了志雄，两人开始交往，并怀上了志雄的孩子。许知道生米已煮成熟饭，顺水推舟，让他们俩一起。而背地里找人诬陷志雄是重庆分子，最后被抓，送到南洋去。最后一段与母亲的离别很感人。

这是凤冠影业公司创业五周年巨制，以日据时代的台湾为背景拍摄，很有意思的是本片导演姚凤磐的父亲早年是在日本留学的，但姚凤磐并不崇日，当时姚凤磐一家已经拿到美国绿卡。身在美国旧金山的姚凤磐飞回台湾，拍了这部电影。女主角是与姚多次合作的王钏如，在片中饰演汉奸许嘉义（岳阳饰）的太太秋芹，男主角则是梁修身，这也是姚凤磐第一次跟梁合作，他在片中饰演医生郭志雄。许帮日本人做事，迫害中国同胞。秋芹恨自己的丈夫，直到她遇到了志雄，两人开始交往，并怀上了志雄的孩子。许知道生米已煮成熟饭，顺水推舟，让他们俩一起。而背地里找人诬陷志雄是重庆分子，最后被抓，送到南洋去。最后一段与母亲的离别很感人。

宁浩的学生电影《星期四，星期三》(2001)获得了当年北京大学生电影节最佳导演奖和中国大学生电影数码媒体竞赛银奖。

宁浩的学生电影《星期四，星期三》(2001)获得了当年北京大学生电影节最佳导演奖和中国大学生电影数码媒体竞赛银奖。

一无是处的胖妹蒋芜，意外得到神奇手环并获得“星期8”时间，通过手环，冒充天使，追求校草，作弊伪装，成为学校风云人物。然而手环被偷导致一切虚假成功化为泡影，蒋芜终于明白，魔法的意义是成长而非佯装。

一无是处的胖妹蒋芜，意外得到神奇手环并获得“星期8”时间，通过手环，冒充天使，追求校草，作弊伪装，成为学校风云人物。然而手环被偷导致一切虚假成功化为泡影，蒋芜终于明白，魔法的意义是成长而非佯装。

Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. If the tale is not unusual, the telling is superb. The characters are sharply observed, with a strong sense of social context. Machaty's first talkie is a masterpiece of sophisticated early sound cinema. And the film's credits-Czech jazz founder Jezek, Surrealist poet Nezval, experimental filmmaker Hammid-provide ample proof that in pre-war Czechoslovakia, the avant-garde made significant contributions to mainstream production. (Elliott Stein)

Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. If the tale is not unusual, the telling is superb. The characters are sharply observed, with a strong sense of social context. Machaty's first talkie is a masterpiece of sophisticated early sound cinema. And the film's credits-Czech jazz founder Jezek, Surrealist poet Nezval, experimental filmmaker Hammid-provide ample proof that in pre-war Czechoslovakia, the avant-garde made significant contributions to mainstream production. (Elliott Stein)