这是一部快节奏的HBO Asia自制原创侦探影集，背景在上世纪六十年代充满异国风情，动荡不安的新加坡。郑侦探社受中情局所雇调查美国大兵的凶案时，侦探社的主人，寡妇郑婉容请求山姆的协助。但当山姆试图解救一名无辜男子的性命时，他被迫想起二次大战时杀害童年好友的惨痛回忆……

上世纪3、40年代，歌舞演出曾在新加坡风靡一时。来自上海、中国南方、还有本地的歌舞团,夜夜笙歌，你走我来，络绎不绝。大家在歌舞中，忘记了即将烧来的战火，还有现实世界中的种种不快。本剧将在这背景下，重现当年璀璨华丽的"星洲之夜"。 　　上世纪40年代，战火遍布，风雨飘摇。上海丽明歌舞团的两大台柱――于红、宋巧儿却在舞台上争得面红耳赤。宋巧儿视于红为眼中钉，誓要除之而后快。于红不愿被宋巧儿踩在脚下，竭力反抗。二人明争暗斗，势同水火。青年音乐家莫理广从上海来到第二次大战爆发前夕的星洲，投靠远房亲戚。他是个书呆气很重的"文艺青年"，爱幻想，醉心音乐，对人情世故毫不敏感，常闹出不少笑话。他在南来的船上邂逅于红，对她一往情深。 　　莫理广的表姑妈是个穷凶极恶的包租婆，要莫负责看管一幢旧楼的刁钻租户，面对古灵精怪的众对手，莫理广疲于奔命，被大家笑称"摸你光"，幸好得到一少女刘九妹的帮助，才免得被表姑妈赶回上海。九妹身世凄凉，从小被养母当成摇钱树，到处卖唱，后来还在新世界歌厅当"汽水妹"，饱受欺凌，但她生性乐观，更会苦中作乐，整天幻想自己有一日能在舞台上载歌载舞。她与莫理广患难与共，爱上了莫理广，但莫理广却心系于红，九妹只好把爱深藏心底。莫理广有机会目睹了一场又一场充满异国情调的印度、马来、娘惹、英式歌舞，令他十分震撼。 　　他灵感泉涌，创作了不少歌曲，让九妹演唱。九妹开心地唱着莫理广的创作，两人可说是天作之合。于红和宋巧儿的斗争随着南来愈显激烈，宋巧儿巴结富商许昆，欲一举铲除于红，但于红不惜牺牲自己身体进行反击，终取代宋巧儿，升为剧团一把手，红遍全星洲。于红邀请莫理广进剧团，并为被卖入妓院的九妹赎身。 　　九妹视于红为救命恩人，对她充满感激，但于红却发现九妹的歌舞才华是对她的威胁，她想办法压制九妹，但事与愿违，九妹在宋巧儿刻意的督导下，歌舞突飞猛进，于红为保住自己的地位，欲除掉九妹，就像当年宋巧儿欲除掉她一样。九妹和莫理广为帮邻居女婴凑医药费，号召大家参与一场别开生面的街头演出――"星洲之夜"，十分轰动，令她声名更噪。九妹一炮而红，养母待价而沽，高价把她卖给一个奸商当填房。莫如何救九妹出魔掌？他最终选择于红还是九妹？随着大战即将爆发，局势混乱，大家的命运又会如何？ 　　《星洲之夜》全长30集，由洪荣狄编剧，谢敏洋监制。本剧将邀请名家创作多首悦耳动听的歌曲。这将是新传媒从未有过的制作，必定一新观众耳目，让新传媒的电视剧迈向另一里程碑。

上世纪3、40年代，歌舞演出曾在新加坡风靡一时。来自上海、中国南方、还有本地的歌舞团,夜夜笙歌，你走我来，络绎不绝。大家在歌舞中，忘记了即将烧来的战火，还有现实世界中的种种不快。本剧将在这背景下，重现当年璀璨华丽的"星洲之夜"。 　　上世纪40年代，战火遍布，风雨飘摇。上海丽明歌舞团的两大台柱――于红、宋巧儿却在舞台上争得面红耳赤。宋巧儿视于红为眼中钉，誓要除之而后快。于红不愿被宋巧儿踩在脚下，竭力反抗。二人明争暗斗，势同水火。青年音乐家莫理广从上海来到第二次大战爆发前夕的星洲，投靠远房亲戚。他是个书呆气很重的"文艺青年"，爱幻想，醉心音乐，对人情世故毫不敏感，常闹出不少笑话。他在南来的船上邂逅于红，对她一往情深。 　　莫理广的表姑妈是个穷凶极恶的包租婆，要莫负责看管一幢旧楼的刁钻租户，面对古灵精怪的众对手，莫理广疲于奔命，被大家笑称"摸你光"，幸好得到一少女刘九妹的帮助，才免得被表姑妈赶回上海。九妹身世凄凉，从小被养母当成摇钱树，到处卖唱，后来还在新世界歌厅当"汽水妹"，饱受欺凌，但她生性乐观，更会苦中作乐，整天幻想自己有一日能在舞台上载歌载舞。她与莫理广患难与共，爱上了莫理广，但莫理广却心系于红，九妹只好把爱深藏心底。莫理广有机会目睹了一场又一场充满异国情调的印度、马来、娘惹、英式歌舞，令他十分震撼。 　　他灵感泉涌，创作了不少歌曲，让九妹演唱。九妹开心地唱着莫理广的创作，两人可说是天作之合。于红和宋巧儿的斗争随着南来愈显激烈，宋巧儿巴结富商许昆，欲一举铲除于红，但于红不惜牺牲自己身体进行反击，终取代宋巧儿，升为剧团一把手，红遍全星洲。于红邀请莫理广进剧团，并为被卖入妓院的九妹赎身。 　　九妹视于红为救命恩人，对她充满感激，但于红却发现九妹的歌舞才华是对她的威胁，她想办法压制九妹，但事与愿违，九妹在宋巧儿刻意的督导下，歌舞突飞猛进，于红为保住自己的地位，欲除掉九妹，就像当年宋巧儿欲除掉她一样。九妹和莫理广为帮邻居女婴凑医药费，号召大家参与一场别开生面的街头演出――"星洲之夜"，十分轰动，令她声名更噪。九妹一炮而红，养母待价而沽，高价把她卖给一个奸商当填房。莫如何救九妹出魔掌？他最终选择于红还是九妹？随着大战即将爆发，局势混乱，大家的命运又会如何？ 　　《星洲之夜》全长30集，由洪荣狄编剧，谢敏洋监制。本剧将邀请名家创作多首悦耳动听的歌曲。这将是新传媒从未有过的制作，必定一新观众耳目，让新传媒的电视剧迈向另一里程碑。

The history of the film is based on the renewal of an old friendship happening in unforeseen and strange circumstances. Seyed (Behrooz Vousoughi) is a drug addict working small jobs in a theatre to pay for his heavy addiction. One day he is visited by an old friend, Ghodrat (Faramarz Gharibian), for whom he was a role model and protector when they were teenagers. Ghodrat has just been shot by the police when an armed robbery went wrong and is now looking for a safe place to lay low for a while. Hence, he comes to stay with the only person that he could trust, Seyed. However, what he sees is miles away from the Seyed that he knew and had in mind. Although they are both happy to find each other after so many years, Ghodrat is completely shocked to see Seyed, once the ruler of the high school yards and neighbourhoods, to have become a complete and utterly useless heavy drug user living in a lowly state of physical and social being. 　　Seyed is very emotional to see Ghodrat. He is proud to see that some people from the old days still believe in him and are loyal to him, though he seems ashamed of what Seyed has become. Seyed helps Ghodrat by hiding him in his place, a small room containing only a bed and a samovar that is representative of the extreme poverty in which Seyed lives. They talk about the years since they had been separated. Ghodrat explains that he has become a professional thief and Seyed tells a story of how he had become an heroin addict after having served only two months in a jail for minor offenses. "The drug was distributed by cleaners in the jail," Seyed says. Once released, he found no opportunity in life because of lack of social support, poverty and "drug dealers being everywhere." He became a full-time heroin user after using the drug during alcohol- and drug-fueled parties with local drug dealers. 　　During the few days that Ghodrat is staying with Seyed, he also meets with Seyed's roommate Fati, a poor but beautiful, hard-working and romantic girl from the old days who was once in love with Seyed. Fati is now completely disillusioned about the future and considers Seyed as a brother and life companion. Ghodrat wants to revive Seyed's pride by reminding him of who he was long ago and how being the role model that he was helped him not to fall into drug or alcohol addiction during all those years. 　　Seyed tries to justify his failed life by blaming it on a lack of social and parental support, but this leads to an honest but tough exchange about the circumstances that them to their current stations in life. The discussion becomes so heated and emotional that the two start punching the wall in a show of remaining physical and mental strength. "It is too late," Seyed says. When Ghodrat tries to talk him out of his current state of mind, Seyed responds angrily by saying that being a thief is no better than being a drug addict. In full denial, he thinks that Ghodrat has no right to lecture him about life as "Ghodrat is a thief and doing things against the law." 　　Ghodrat also witnesses how deeply rooted poverty and a lack of basic education affect the daily life of every neighbour in the area. He and Seyed continue to have more meaningful discussions about life, education and opportunity, but no conclusion is really achieved. They are both so sorry about how they have become that they cry at the first opportunity to have an evening meal with aragh, an anise-based alcoholic drink. Ghodrat knows that his time there is limited and that he must find a way out. 　　The police come for Ghodrat after his picture had appeared in local newspapers as a "wanted and dangerous man"; presumably, one of the local people had informed the police of his whereabouts. The police besiege the house for several hours, but Ghodrat does not surrender. Seyed arrives home to discover the escalating situation, fearing Ghodrat's death at the hands of the large police force. He implores the police chief to allow him to enter the house in order to persuade Ghodrat to surrender. Feeling responsible for the danger in which his friend is now involved, Ghodrat beseeches Seyed not to intervene and to go away before he is hurt. However, Seyed chooses to remain with Ghodrat. He runs away from the police and is shot in the shoulder but eventually manages to get into the room with Ghodrat. 　　The two friends reflect on the nearly certain death they are facing. After a few minutes, the building comes under heavy fire, but Seyed stays with Ghodrat when a final police raid results in both men being killed by an explosion. Just before the raid, Seyed looks at Ghodrat and says, "I prefer to die by a bullet here in my room with you being there rather than alone under a bridge in a few years' time." This is a show of loyalty to his friend as well as an expression of his despair and hopelessness.

The history of the film is based on the renewal of an old friendship happening in unforeseen and strange circumstances. Seyed (Behrooz Vousoughi) is a drug addict working small jobs in a theatre to pay for his heavy addiction. One day he is visited by an old friend, Ghodrat (Faramarz Gharibian), for whom he was a role model and protector when they were teenagers. Ghodrat has just been shot by the police when an armed robbery went wrong and is now looking for a safe place to lay low for a while. Hence, he comes to stay with the only person that he could trust, Seyed. However, what he sees is miles away from the Seyed that he knew and had in mind. Although they are both happy to find each other after so many years, Ghodrat is completely shocked to see Seyed, once the ruler of the high school yards and neighbourhoods, to have become a complete and utterly useless heavy drug user living in a lowly state of physical and social being. 　　Seyed is very emotional to see Ghodrat. He is proud to see that some people from the old days still believe in him and are loyal to him, though he seems ashamed of what Seyed has become. Seyed helps Ghodrat by hiding him in his place, a small room containing only a bed and a samovar that is representative of the extreme poverty in which Seyed lives. They talk about the years since they had been separated. Ghodrat explains that he has become a professional thief and Seyed tells a story of how he had become an heroin addict after having served only two months in a jail for minor offenses. "The drug was distributed by cleaners in the jail," Seyed says. Once released, he found no opportunity in life because of lack of social support, poverty and "drug dealers being everywhere." He became a full-time heroin user after using the drug during alcohol- and drug-fueled parties with local drug dealers. 　　During the few days that Ghodrat is staying with Seyed, he also meets with Seyed's roommate Fati, a poor but beautiful, hard-working and romantic girl from the old days who was once in love with Seyed. Fati is now completely disillusioned about the future and considers Seyed as a brother and life companion. Ghodrat wants to revive Seyed's pride by reminding him of who he was long ago and how being the role model that he was helped him not to fall into drug or alcohol addiction during all those years. 　　Seyed tries to justify his failed life by blaming it on a lack of social and parental support, but this leads to an honest but tough exchange about the circumstances that them to their current stations in life. The discussion becomes so heated and emotional that the two start punching the wall in a show of remaining physical and mental strength. "It is too late," Seyed says. When Ghodrat tries to talk him out of his current state of mind, Seyed responds angrily by saying that being a thief is no better than being a drug addict. In full denial, he thinks that Ghodrat has no right to lecture him about life as "Ghodrat is a thief and doing things against the law." 　　Ghodrat also witnesses how deeply rooted poverty and a lack of basic education affect the daily life of every neighbour in the area. He and Seyed continue to have more meaningful discussions about life, education and opportunity, but no conclusion is really achieved. They are both so sorry about how they have become that they cry at the first opportunity to have an evening meal with aragh, an anise-based alcoholic drink. Ghodrat knows that his time there is limited and that he must find a way out. 　　The police come for Ghodrat after his picture had appeared in local newspapers as a "wanted and dangerous man"; presumably, one of the local people had informed the police of his whereabouts. The police besiege the house for several hours, but Ghodrat does not surrender. Seyed arrives home to discover the escalating situation, fearing Ghodrat's death at the hands of the large police force. He implores the police chief to allow him to enter the house in order to persuade Ghodrat to surrender. Feeling responsible for the danger in which his friend is now involved, Ghodrat beseeches Seyed not to intervene and to go away before he is hurt. However, Seyed chooses to remain with Ghodrat. He runs away from the police and is shot in the shoulder but eventually manages to get into the room with Ghodrat. 　　The two friends reflect on the nearly certain death they are facing. After a few minutes, the building comes under heavy fire, but Seyed stays with Ghodrat when a final police raid results in both men being killed by an explosion. Just before the raid, Seyed looks at Ghodrat and says, "I prefer to die by a bullet here in my room with you being there rather than alone under a bridge in a few years' time." This is a show of loyalty to his friend as well as an expression of his despair and hopelessness.

在一个黑暗而反乌托邦的时代，人类丧失了人性，看上去如同动物一般。在地铁站和火车上，鹿先生试图帮助人们重新找回他们的人性。

在一个黑暗而反乌托邦的时代，人类丧失了人性，看上去如同动物一般。在地铁站和火车上，鹿先生试图帮助人们重新找回他们的人性。

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。

中国传媒大学动画系 2015年 毕设展映