这是一部关于我个人亲身经历的纪录短片。在一个寻常的夜晚，原本我们都在学校宿舍里按部就班地做着自己的事情，可突然几阵密集的尖叫声，让我们知晓了双子座流星的降临。有人在欢呼、有人在记录、有人在歌唱，也有人被嘈杂的声音打扰。总之，在那晚，我们之间产生了某种奇妙的联系。所以我选择集合我们那天的记忆和现场真实的影像，制作出这部纪录短片。

这是一部关于我个人亲身经历的纪录短片。在一个寻常的夜晚，原本我们都在学校宿舍里按部就班地做着自己的事情，可突然几阵密集的尖叫声，让我们知晓了双子座流星的降临。有人在欢呼、有人在记录、有人在歌唱，也有人被嘈杂的声音打扰。总之，在那晚，我们之间产生了某种奇妙的联系。所以我选择集合我们那天的记忆和现场真实的影像，制作出这部纪录短片。

寰宇，因你而齐响。 以此音乐盛会献给所有与列车同行的开拓者，二周年快乐！愿此行，终抵群星。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

Each year, a father films his daughter on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is fleetingly captured but leaves an indelible mark. Her answers to her father’s questions are just a backdrop for a deeper story of parental love and, ultimately, independence.

Three seemingly separate stories taking place in Tel Aviv, this film examines people from very different backgrounds beginning what seems to be an ordinary day, although by the end of a few weeks, their lives will have intersected with surprising results. Reuben and Michal, a couple in their forties, decided years ago not to have any children. Michal unexpectedly gets pregnant. Anna, a young single mother, and her ten-year-old son are thrown out of their rented apartment. Kagan, a solitary and introverted radio technician in his thirties, is recording a radio program about his father, the founder of the punk movement in Israel.