《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

麦昆本想给女友来一场创意十足的求婚，但在毫无预兆的情况下结束了一场轰轰烈烈的爱情，结局悲惨而可笑……在经历过失恋博物馆中的种种“失败”后，麦昆放下了，觉得那段失败的爱情反而激励了自己，让自己学会了如何去爱一个人，用什么样的方式让双方相处，也明白了自己该选择去爱一个什么样的女孩。

多姆是一家濒临倒闭的咖啡馆的咖啡师，他得到了一份意想不到的工作。这个提议来自一个咖啡馆的常客，Khatha，他点的咖啡他从来不喝。这份工作是在日落后才开门的一家奇怪的博物馆。几乎没有选择，多姆接受了卡沙的提议。第一天，一名员工告诉他博物馆闹鬼。被监督者禁止进入16区，多姆在里面受到诱惑。Khatha试图控制伤害，但是Dome无意中唤醒了一些东西，里面的几乎所有东西都设法溜走了。多姆承担起责任，并与卡沙一起，试图找到丢失的东西，以便让它们回到属于它们的地方。 　　Dome, a barista at a café on the verge of closure, receives an unexpected job offer. The offer comes from a café regular, Khatha, who orders coffee he never drinks. The job is at an odd museum open only after sunset. With few choices, Dome accepts Khatha's offer. 　　On his first day, an employee tells him the museum is haunted. Forbidden by the overseer from entering Zone 16, Dome is tempted inside. Khatha attempts to contain the damage, but Dome has unintentionally awakened things and nearly everything inside manages to slip out. Dome takes responsibility and, with Khatha, attempts to hunt down what went missing in order to return them to where they belong.

主持人吉米·多尔蒂走进英国自然历史博物馆的幕后，与博物馆工作人员进行近距离交流，探索该馆浩瀚藏品的秘密。 　　博物馆幕后是如何运作的？为何要保存7000万余件标本？馆中科学家们的研究工作，与当今世界有何关联？他们为保护生物多样性、防止热带传染病，又做出了何种贡献？ 　　共六集： 　　1. Museum in a Modern World.现代世界的博物馆 　　2. Digging up the Past. 挖掘过去 　　3. All Creatures Great and Small. 生物无巨细 　　4. Discovery. 发现无限 　　5. The Power of Insects. 昆虫力量 　　6. A Collection for the Future. 未来收藏

The Phantom Museum was originally commissioned by the Wellcome Trust as a video installation for the British Museum exhibition Medicine Man: The Forgotten Museum of Henry Wellcome, which ran from June to November 2003. This provided an opportunity for the public to examine some of the rarer items in the extraordinary collection of American-born pharmaceutical pioneer Sir Henry Wellcome (1853-1936), who assembled over 125,000 medical artifacts, many of which are currently stored in London's Science Museum and normally viewable by appointment only. 　　Typically, the Quay Brothers' film consists more of a series of impressions of the Wellcome collection than a guided tour, their approach summed up by its subtitle 'Random Forays into Sir Henry Wellcome's Medical Collection'. A linking device (shot on grainy black-and-white Super 8 stock) involves a man clad in a black suit and white gloves ascending staircases, warlking along corridors, switching on lights and investigating rooms full of cabinets bearing tantalising labels ('Shrunken Heads - Scalp'). 　　Interspersed with these are much sharper colour sequences, depicting various objects in Wellcome's collection. Sometimes they're displayed as static museum pieces, sometimes rotated, and occasionally animated. Many of the exhibits are explicitly sexualised, from the diagram demonstrating the use of a chastity belt (next to an example of the real thing) to tender Oriental sculptures of human lovemaking. Many of the collection's many dolls come apart to reveal their anatomically-correct innards - one female body has a baby in her walnut-sized womb, connected via an umbilical piece of string. 　　Prosthetic arms and legs abound, in one case attached to a live human body, while there are plenty of dead ones glimpsed in the collection's storerooms, their lipless mouths fixed in a permanent grin. If the film is often unsettling, this is less because of the Quays' proven feel for the uncanny than for the way the Wellcome collection itself inescapably exploits our most fundamental fears: of birth, sex, mutilation and death. 　　The Quays originally edited the film to pre-existing recordings of the music of Czech composer Zdenek Liska (previously featured in The Cabinet of Jan Svankmajer in 1984), but were unable to clear the necessary rights. In the final version, filmmaker-musician Gary Tarn provided a plangent semi-electronic accompaniment, occasionally interspersed with sound effects, notably in the shot of an old birthing chair and forceps being pressed into service on an invisible mother-to-be, whose baby can be heard crying as it emerges.

Don Wildman unearths relics from the world's greatest institutions to reveal secrets from the past. He examines each artifact to illuminate history's most incredible triumphs, sensational crimes and bizarre encounters.

《幽灵探险》节目主持人查克，联手现代恐怖大师、电影制片人伊莱罗斯，从个人收藏的闹鬼物品中取得灵感，为大家介绍最恐怖、最让人毛骨耸然的灵异故事。

When the beautiful dancer Salome learns that the dwarf circus owner Marcel has just received an inheritance, she marries the lovesick, diminutive performer, all the while planning to steal his fortune and run off with her lover, strong man Sansone. When Marcel and fellow performers discover her evil plan, they band together to carry out a brutal revenge.

1377年， 梵蒂冈教皇从法国迁回意大利之后开始定居于此，历任教皇对其都进行过不同程度的修复、扩大和美化。梵蒂冈博物院设在梵蒂冈宫中，是一个总称，其实院中有馆，馆中有室，共有20多个博物馆，共有大小展厅、展室和房间1400多个，建筑面积达55000平方米，馆内有一座残石像。头颅、两臂、双膝皆缺，仅存大段躯干，传说是大力士赫拉克勒斯石像。据说米开朗琪罗对之曾反复研究。动物雕塑厅犹如一座天然动物园，鹰、狮、犬等飞禽走兽千姿百态。艺术长廊上的壁画、穹项画、镶嵌画、挂毯画绚丽缤纷。其中壁毯刺绣廊，挂着绣有耶稣生平事迹的19幅华丽的壁毯。地图廊上，40幅鲜艳悦目的图志，描绘了意大利各城市和沿海岛屿的地形图，被认为是当时地理上最重要的文献。埃特鲁斯科馆馆内展品多为公元前8世纪至公元前4世纪生活在罗马附近的埃特鲁斯科人的文物，从中可以了解一个被罗马人完全消灭的民族的生活、文化、经济等情况。绘画馆主要收藏的是悬油画，其中很多名画曾被拿破仑抢到法国去，到1816年才收回77幅。世俗博物馆原在拉特兰官内，后迁于此，主要陈列的是古希腊罗马文物的复制品、罗马帝国时代的雕刻等。基督庇护博物馆主要展出罗马地下鬼、古代教堂的文物、绘画等。历史博物馆建于1973年，主要收藏是马车、教廷的军械、七兵服装等。传教士博物馆于1926年建于拉特兰宫，1970年迁于此，其中有中国厅，内有北京彩绘瓷狮、天坛模型、佛像，福建宝塔模型、孔府祭坛复制品、桂林的佛像雕塑和泉州的铜像雕塑等。西斯廷堂中主要有文艺复兴时期艺术大师们的作品。西斯廷堂平时任人参观，只在梵蒂冈教皇缺位时关闭几天，在此期间，所有红衣主教集中在这里开会，选举新教皇。埃及馆收藏的是古代埃及的文物艺术品、木乃伊等。庇护一克莱门蒂诺馆内有圆形大厅、希腊十字厅、艺术女神厅、动物雕塑厅、劳孔代厅等。