夏日鄉間，戀人 Jimmy 與 Guillaume 踏上旅程，準備開啟美好的假期。漫漫長路上，他們玩起重演初次相見的遊戲，一個佯裝成搭便車的過客，另一個則是獨行的司機，彼此曖昧地嬉鬧、調戲著，直到另一個「他」的出現，這趟車程的氛圍變得不再輕鬆。 　　On the road to their summer vacation, Jimmy and Guillaume test their relationship. Jimmy becomes a lost hitchhiker, Guillaume a lonely driver. They will pretend not to know each other, and play at meeting and seducing each other again. Until a third player joins the game.

夏日鄉間，戀人 Jimmy 與 Guillaume 踏上旅程，準備開啟美好的假期。漫漫長路上，他們玩起重演初次相見的遊戲，一個佯裝成搭便車的過客，另一個則是獨行的司機，彼此曖昧地嬉鬧、調戲著，直到另一個「他」的出現，這趟車程的氛圍變得不再輕鬆。 　　On the road to their summer vacation, Jimmy and Guillaume test their relationship. Jimmy becomes a lost hitchhiker, Guillaume a lonely driver. They will pretend not to know each other, and play at meeting and seducing each other again. Until a third player joins the game.

夏日鄉間，戀人 Jimmy 與 Guillaume 踏上旅程，準備開啟美好的假期。漫漫長路上，他們玩起重演初次相見的遊戲，一個佯裝成搭便車的過客，另一個則是獨行的司機，彼此曖昧地嬉鬧、調戲著，直到另一個「他」的出現，這趟車程的氛圍變得不再輕鬆。 　　On the road to their summer vacation, Jimmy and Guillaume test their relationship. Jimmy becomes a lost hitchhiker, Guillaume a lonely driver. They will pretend not to know each other, and play at meeting and seducing each other again. Until a third player joins the game.

當香港女仔選擇伴侶的時候，父母的看法對阿女有多少影晌？當父母一心想寶貝女嫁得好，而阿女只想同另一半夾得到，兩代人究竟可不可以跨越愛情、婚姻觀的鴻溝呢？節目找來四位單身女仔連同她們的父母，做了一場戀愛實驗；阿囡分別和兩個男仔去約會，一個自己揀、一個父母揀，父母之命對自由戀愛，結果是怎樣呢？

當香港女仔選擇伴侶的時候，父母的看法對阿女有多少影晌？當父母一心想寶貝女嫁得好，而阿女只想同另一半夾得到，兩代人究竟可不可以跨越愛情、婚姻觀的鴻溝呢？節目找來四位單身女仔連同她們的父母，做了一場戀愛實驗；阿囡分別和兩個男仔去約會，一個自己揀、一個父母揀，父母之命對自由戀愛，結果是怎樣呢？

剛剛申請到美國矽谷高薪工作的單身女子怡安，突然發現自己懷有八週的身孕，瞬間陷入了「拿掉小孩，追求職業成就」或是「離開職場，當起家庭主婦」的兩難局面。 　　隨著怡安性格上的「理性」與「感性」的衝突逐漸升溫，她內心對於「家庭生活」的恐懼感像是深不可測的大怪獸，從內心深處裡爬了出來，將她吞噬。

程書靜（邵美琪飾）本來是方國楚（陳哲民飾）的學生，互動之下彼此暗生情意，也彼此試探。方國楚在最荒謬的情況下向書靜求婚，兩個生活起來才正式認識彼此，也開始厭惡彼此，然後兩個人逐步逐步走到最冷酷的婚後生活，其實，「離婚原來是容易的，只有下決心的時候難」。 　　「大平盛世，最驚心動魂的愛情故事也只能如此。」（黃碧雲《盛世戀》）

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)