1. 花粉：在戏剧部社团里不被认可的예나。她不仅被前辈无视，甚至连后辈也对她诸多漠视，但仍在为戏剧筹备努力着。社团里有一年级的后辈，可大家却让예나在舞台上撒花。这虽是个不起眼的角色，但예나仍想认真做好，然而前辈却以会影响自己的演出效果为由，试图阻止她。不过最终예나还是撒了花粉，当人们称赞花粉很美时，前辈却把这份夸赞据为己有。 2. 关于个人的不如意：靠在加油站打工赚取生活费的정인，已经连续几周没拿到拖欠的工钱了。有一天，他在顾客扔掉的垃圾中发现了一张神公司的传单，上面写着能帮人实现任何愿望，他拿着这张传单……

康独自一人住在大房子里，Non住在镇上的一间小公寓里。 他们见面，然后分开，他们的日子像往常一样流逝。

片长51分钟，只是记录了冬天四川达州农村，一对老夫妻家长里短的生活。 村里的年轻人都外出打工，这个村的人大都是到广东鲘门去打渔…… 2011年制作，法国剪辑。

Claudio, 35 years old, manager, has been HIV+ for ten years. His life is marked by the medicine he has to take, his monthly medical examination, his humdrum job, and his long-term relationship with Dario. But when he meets Andrea, a sweet and handsome waiter, his certainties shatter.

克劳迪奥，35岁，经理，已经感染艾滋病的十年。他的一生是由他吃药，他每月的体检，他单调的工作，以及他与达里奥长期合作关系显着。但是，当他遇到安德烈，甜美帅气的服务生，他的确定性粉碎。

While working on a film called Cinematic Letters, IFFR stalwart Peter Schreiner was diagnosed with cancer. Although the project was terminated for being logistically too demanding, his desire to make a new film remained. But what can you do when your beloved camera and tripod have become too heavy for you to carry, and setting up even a simple scene is an exhausting ordeal? Tage is not a memoir of Schreiner's battle with his illness – this is merely hinted at, almost obliquely. Schreiner considered his ailing body above all an artistic challenge: What is possible, what can be developed from the set of options and perspectives such a state of being offers? Curiously enough, Tage turned into a variation of his last finished film, Garten (2019): a chamber piece shot almost exclusively in his house, featuring himself and his beloved wife Maria as well as some friends. It is also a return to a cinema of intimacy that he'd last essayed with Kinderfilm (1985). With all of that, Schreiner strove for and reached yet another level of artistic freedom with Tage, for none of his works to date are as light-footed in their movement: pure stream-of-conscious in a diaristic framework – a film as open as Schreiner's restlessly searching soul and endlessly curious heart. 源自：https://iffr.com/en/iffr/2023/films/tage

While her husband is away, Nina sets out to combat boredom. The wealthy woman visits an elderly aunt and frequents the stores and boutiques of downtown Belgrade. She spends the day with a handsome stranger who is obviously enamored with Nina, but the two separate at the end of their memorable day when she tells him she is married. One day of married woman, who did not succeed to determine her place in life. She gets in series of characteristic situations which are discovering her life and faith. Her life is a reflection of her personal solitude. She meets a young man, who has just received a note that his father is dying. They spend one afternoon together, trying to give new shape and sense to picture of life. Yugoslavian director Aleksandar Petrovic was one of his country's most prominent filmmakers during the 1960s. His best-known films are Tri (Three), which earned the highest award at the Karlovy Vary Film Festival in 1965, and Skupljaci Perja (I Even Met Some Happy Gypsies), which won the Grand Prix at Cannes in 1967. Petrovic got his start as a film critic following graduation from Belgrade University. His writings on cinema made him one of Yugoslavia's most respected film critics during the '50s. He then directed a few documentaries. Petrovic made his feature-film directorial debut with Dvoje (When Love Is Gone) (1961). This and his subsequent film, Dani (Days) (1963), were heavily influenced by French New Wave and heralded the dawning of the "Black Wave" in Yugoslavian cinema. Following the success of Skupljaci Perja, Petrovic began having difficulty with his government. It began when governmental officials took offense with his adaptation of Bulgakov's novel Majstor i Margarita (The Master and Margarita) (1972), calling the film a direct assault against communism. In 1973, Petrovic was forced to leave his post at the Belgrad Film Academy because of the scandal surrounding the film Plastic Jesus, which was made by his protégé, Lazar Stojanovic. Though he would continue on to make two more films, one of them in France, Petrovic's promising career was over.

讲述了家庭差距颇大的朱劲草（陈晓 饰）和顾茉莉（童瑶 饰）相识，顾茉莉不听父母劝阻，一意孤行嫁给家庭条件不如自己的朱劲草，二人在上海顺利结婚生女后，原本想着悠哉顺遂的小日子就要到来，但双方父母“以爱之名”的强势介入却让这对小夫妻的婚姻陷入了岌岌可危的地步。二人无奈之下用名义上的离婚来摆脱被各方裹挟的生活，却没想到更多的问题接踵而至……

失恋的志浩在好朋友的劝说之下前往济州岛出差勘察演出场地，同时也是朋友为了让他散散心。住进不正规的宿处导致志浩丢失了除了手机之外身上的所有东西。在警察帮助下，住进了温馨的蔷薇民宿。邂逅了美丽的女主。美丽的女主是前来考察济州岛风景的旅行书籍出版社编辑。和志浩的境遇很像，女生丢失了除钱包以外的随身物品。于是，民宿的日子，两人经常同行。由此发生许多浪漫的故事。女生帮助志浩找到了演出的适合场所，志浩由于接到了女孩朋友打来的电话知道了女生的名字。回到首尔之后，爱情的种子已经在两人的心中种下。志浩前去出版社寻找女孩，却很遗憾没有见到。在一次工作的场合，志浩巧遇女生，却因为一句话使女孩感觉到自己自作多情了 。终于消除误会的两人又一次在济州岛相遇。两人相遇的时候，志浩的朋友在远处叫了志浩的名字，这时候的女孩才发现，两人的名字一样。