80年代的老动画《电脑精灵》，讲的是一个叫克莱得的次品电脑被他们星球上的人扔到了地球上,恰巧掉进了萨姆他们家中...克莱得可以把2个主角送到网络世界中去完成各种任务，里面有4个病毒进攻器。最难忘的就是那个戴着头巾拿着大刀的病毒每次都喊到“进攻！~”...然后就不故一切冲上去...

Walter Nebicher is the police department's resident computer expert, although his immediate superior gives no respect as to his contribution to the force. To fix that, he creates a special program that creates Automan, an artificially intelligent computer construct that looks real, sounds reals and, given enough power, can have an actual physical presence outside the computer that feels real. Together, Walter and Automan along with Cursor, a small floating droid that can create any object Automan needs, battle the criminal elements of the city. Written by Kenneth Chisholm {[email protected]}

因為光明寺博士所製造的機械人都被邪惡的基路博士用來作姦犯科，所以他秘密製造了一個人造人，希望可以破壞基路博士的陰謀。 　　但在完成前被基路博士發現，研究所爆炸，光明寺博士亦失蹤。後來光明寺博士的一對兒女被基路博士的機械人襲擊，此時有一個名為次郎的人出現，他變成電腦奇俠救了她們。 　　原來次郎就是光明寺博士所製造的人造人，為了正義與基路博士對抗。

同僚の恋人・朋美（白石ひとみ）に密かな恋心を抱いている内気な青年・良一はパソコンネットで顔も知らぬ友人達と更新する事を唯一の楽しみとしていた。そんな中、謎に満ちた裏ソフト「大奥」に出会った良一は知らず知らずのうちにソフトの持つ魔物的魅力に取りつかれてしまう。

Albert’s stable relationship with his fiancé is jeopardized when he becomes obsessed with a computer simulation.

同僚の恋人・朋美（白石ひとみ）に密かな恋心を抱いている内気な青年・良一はパソコンネットで顔も知らぬ友人達と更新する事を唯一の楽しみとしていた。そんな中、謎に満ちた裏ソフト「大奥」に出会った良一は知らず知らずのうちにソフトの持つ魔物的魅力に取りつかれてしまう。

西暦1997年、練馬区に住む五十嵐兄弟の前に二人の女性が降って来る。彼女達は電次元から来たルーチンという存在で、その使命は電次元のルールに則り互いに競って勝者が地球征服するということだった。二人は五十嵐兄弟をゲームの観客兼ゲーム後のパートナーとして選ぶが、五十嵐淑を巻き込んで傷つけてしまいルールを侵してしまう。コンパイラはアセンブラとのゲームと無関係に地球征服を遂行してルール違反をチャラにしようとするが、ルーチンは水に弱く、雨が降ったために地球征服は失敗。 　　以降、特に目的もなく五十嵐家に居候しながら、襲ってくる電次元の刺客をあしらいながら適当に暮らすドタバタの日々を送ることになる。

Landscape Drifting is a work by directors Hwang Da-eun and Park Hong-yeol, who vividly captured the struggles of the Seongmisan village community in The Teachers: Pink, Nature Trail, Ridge Between Rice Paddies, Plum (2023). This film marks another path for the directors as it documents the period of the COVID-19 pandemic. During the time of social distancing, the two directors and painter Park Se-jin held a modest exhibition with strictly limited visitors attending. Their small but well-lit studio became the exhibition hall, and two cameras placed in the corners of the space became the eyes of the directors, capturing the exhibition’s scenery. The film shows, with a slow and deliberate pace, the fluid movements of visitors, objects swaying in the wind, and the sunlight streaming through windows to create a dance of light on the paintings. It sensitively evokes the landscape of the time we experienced and becomes a passage of memory that should not be forgotten.

After the death of their friend, a group of eccentric young adults are whisked away to a villa on the outskirts of London, but a mysterious entity seems to have followed them to their luxurious getaway.

After the death of their friend, a group of eccentric young adults are whisked away to a villa on the outskirts of London, but a mysterious entity seems to have followed them to their luxurious getaway.