「歌墟」是壮族地区的山歌集会，曾经广为盛行。它通常围绕宗祠或竜树进行，其间，男女相约而至，即兴作词，你来我往，对唱万物。 　　传递的山歌开启了一次迁徙。摄影机沿途抵达了不同的歌者与集会，流转于乡土与城镇，寻找着歌墟散逸的踪迹。

「歌墟」是壮族地区的山歌集会，曾经广为盛行。它通常围绕宗祠或竜树进行，其间，男女相约而至，即兴作词，你来我往，对唱万物。 　　传递的山歌开启了一次迁徙。摄影机沿途抵达了不同的歌者与集会，流转于乡土与城镇，寻找着歌墟散逸的踪迹。

沧海成尘，雷电枯竭，那一缕幽雾又一次临近大地，世间的枷锁再次开启，一个全新的世界就此揭开神秘的一角……

讲述1940年8.19号日本对重庆进行大轰炸，一名军人因此牺牲了，他的妻子无法接受丈夫战死的噩耗，幻想起丈夫离家前的场景。

沧海成尘，雷电枯竭 那一缕幽雾又一次临近大地 世间的枷锁再次开启 一个全新的世界就此揭开神秘的一角……

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.