指原莉乃とリリー・フランキーが真夜中にオール深夜ロケを敢行。知られざる深夜の生態をのぞくロードムービー的ドキュメンタリー・バラエティー。指原が未だ見ぬ深夜世界への扉を開くこの番組。その世界では当たり前のことでも、知らない者から見れば不可思議な“真夜中の生態”…深夜にうごめく未知の世界の現場へ長時間潜入し、その世界を体感、ともに朝を迎える。果たして、彼らを前にして、指原は何を思い、何を考えるのか？指原と共に未知の現場に潜入するのは、何十年も深夜に活動を続けるリリー。深夜に生きるリリー日の当たるセンターで生きる指原。そんな二人による深夜のロードムービーは、深夜だからこそ起きるドラマとハプニングが満載。筋書きのない、終わりなき深夜ロケ。深夜に暗躍する指原とリリーをお見逃しなく！

指原莉乃とリリー・フランキーが真夜中にオール深夜ロケを敢行。知られざる深夜の生態をのぞくロードムービー的ドキュメンタリー・バラエティー。指原が未だ見ぬ深夜世界への扉を開くこの番組。その世界では当たり前のことでも、知らない者から見れば不可思議な“真夜中の生態”…深夜にうごめく未知の世界の現場へ長時間潜入し、その世界を体感、ともに朝を迎える。果たして、彼らを前にして、指原は何を思い、何を考えるのか？指原と共に未知の現場に潜入するのは、何十年も深夜に活動を続けるリリー。深夜に生きるリリー日の当たるセンターで生きる指原。そんな二人による深夜のロードムービーは、深夜だからこそ起きるドラマとハプニングが満載。筋書きのない、終わりなき深夜ロケ。深夜に暗躍する指原とリリーをお見逃しなく！

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

聲譽日隆的醫生與妻子漸行漸遠，繼而戀上了跳舞女郎，和她搬到鄉下雙宿雙棲。兩人遇上失明的畫家，醫生治好了畫家的雙眼，而女郎則愛上了復明的畫家，直至畫家的眼睛再度失明……北海岸邊對比強烈的光影，襯托着生死愛戀的掙扎。茂瑙不斷反覆講述的三角戀愛和良心角力故事，在他這部最早的傳世作品中已經可見。改編自丹麥劇作家夏里亞‧布洛的作品《勝利者》。