女佣与财阀江家大少爷之间的一段一见钟情，却又经历种种误会与磨难，最终获得幸福的故事。

村川作为北岛组最得力的干将，受到同组的高桥的嫉妒。在冲绳的盟友中松组与对立的阿南组发生纠纷，村川受派带着片桐和垦前往解决，中松组的上地和良二接待了他们。没有想到纠纷升级为更大的冲突，死里逃生的村川等人只好暂藏匿在海边一个破旧的小屋里。一天晚上，村川在海边救下了一名遭遇强奸的女子阿幸，并杀死了那个男人，二人走到了一起。中松组彻底瘫痪，村川和东京联系却找不到高桥，身边的人也一个个被阿南组的杀手杀害。不久以后村川在冲绳发现了高桥并将其抓获，经审问才知一切都是高桥的阴谋，目的是把村川等人挤出北岛组，解散中松组，投靠阿南组。杀死高桥又袭击了讲和会场的村川消了心头之恨，却不能消除心中对于前途的迷惘，虽然阿幸还在小屋等他，他还是掏出手枪对准了自己的太阳穴……

格热戈日从小便被诊断为自闭症，在特殊学校里，他交不到朋友，也学不到东西。直到15岁，大家才知道自闭症只是误诊，格热戈日真正的问题，其实是听力受损。在人工耳蜗的帮助下，他听见了世界，也爱上了音乐。青春期才真正听见音乐的他，意外地有着过人的天赋，然而除了家人和他自己，没人相信一个失聪的孩子能够成为音乐家，格热戈日能用自己的努力，让所有人刮目相看吗？

格热戈日从小便被诊断为自闭症，在特殊学校里，他交不到朋友，也学不到东西。直到15岁，大家才知道自闭症只是误诊，格热戈日真正的问题，其实是听力受损。在人工耳蜗的帮助下，他听见了世界，也爱上了音乐。青春期才真正听见音乐的他，意外地有着过人的天赋，然而除了家人和他自己，没人相信一个失聪的孩子能够成为音乐家，格热戈日能用自己的努力，让所有人刮目相看吗？

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

这是一部具有浓郁音乐色彩的青春励志剧，它以我军某IT信息指挥学院组建一支军乐队为故事框架，运用精彩的情节和典型的人物形象生动地表现了我军高等院校为国防事业培养高素质复合型人材、加强当代部队院校大学生素质教育所做出的卓越业绩，讴歌了以本剧主人公秦亮为首的现代军人爱国奉献的高尚情怀。