某制片厂的录音室霍峰和女演员于红在一座旧楼里录特效，奇怪的声音把他们带到了阴森恐怖的地下室。霍峰回去检查录音，听到奇怪的哭声。于红具有看到过去的“特异功能”，她发现了“文革”时的一起谋杀案，14岁的女孩被害。于红感觉到凶手是导演郑磊。霍峰劝告冤魂不要报复，冤魂被激怒了，整个楼房都在震颤。得奖的郑磊发现自己坐的汽车没有司机，最终被吊死在旧楼里。随着护士一声“吃药了”的招呼，病人讲的故事结束了。

某制片厂的录音室霍峰和女演员于红在一座旧楼里录特效，奇怪的声音把他们带到了阴森恐怖的地下室。霍峰回去检查录音，听到奇怪的哭声。于红具有看到过去的“特异功能”，她发现了“文革”时的一起谋杀案，14岁的女孩被害。于红感觉到凶手是导演郑磊。霍峰劝告冤魂不要报复，冤魂被激怒了，整个楼房都在震颤。得奖的郑磊发现自己坐的汽车没有司机，最终被吊死在旧楼里。随着护士一声“吃药了”的招呼，病人讲的故事结束了。

影片讲述的是上世纪30年代泰国一个巨大庄园里发生的爱情和恐怖故事。为了寻找老公从乡村来到城里的婵，来到一个巨大的庄园时因为有孕在身不得不在此停留片刻。华丽的住宅和美丽鲜花围绕的庄园里却充满了陌生的阴森感。而与这阴森息息相关的人就是庄园主人的太太阮夫人，她从来不离开自己的卧室半步，但会通过管家支配整个庄园。在婵极度不安的时刻她生下了孩子。在这奇异的庄园里婵要直面的现实是什么呢？她和她的孩子将面临怎样的命运呢？

Deborah Chandler's rejected suitor, Selden Clark, manages the factory of her father, who dies: did he fall or was he pushed? But charming Clark manages to win her over and marry her. On the honeymoon, Clark's former girl Patricia intervenes and opens Deborah's eyes, alas too late. Now Clark tries to kill Deborah. Believed dead by all but Clark, she flees. But drifter Keith Ramsey recognizes and follows her. Can she trust him? Can he believe her?

杨家庄附近的荒冢中出现了一个女鬼，每夜哀号，使村民惊恐不已。财神庙的羽士告诉村民要用食物和纸钱来祭祀女贵，女鬼果然安静了许多，但她却只拿食物不拿纸钱。青年王远生外出回来后不见童养媳秀芳，王母告之自他走后，秀芳与人苟合并怀上身孕，早已离家出走。远生知道秀芳怀的是自己的孩子，不相信母亲所言。王母被鬼叫声惊吓，一病不起。远生因鬼只拿食物而对鬼的真实身份产生了怀疑，他设计带人将鬼包围，又寻着棺材中传来的小孩哭声抱出一个孩子。女鬼为找孩子寻到远生家门前，远生认出女鬼原来就是秀芳，夫妻二人终于团圆。

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.