金田一咲希は高校入学直前のある日、ピアノレッスンに向かう途中で見知らぬ同世代の少女とぶつかり手を擦りむくが、相手から無言で落とした楽譜を丁寧に拾われ絆創膏をもらう。咲希は印象的だったその少女とクラスメイトとして再会し、名前が及川奏音、そして耳が不自由だと知る。学校では障害を理由に周囲と距離を置く奏音に、淋しさを覚えた咲希はどうにか分かり合おうとし、そんな彼女の姿に奏音の態度も次第に変わっていき…。

章雄寻得两颗稀少的夜明珠，将它们分别送给妻子胡芝英和妹妹爱真，却被穆铎等人所见。穆垂涎明珠，设计将爱真骗走，带其到一岛上的密室中，逼其交出珠子。很快，章雄夫妇发现穆劫走爱真，跟踪穆来到岛上，奋力救出了爱真。然穆还是不死心，恳求恶徒杨长青帮忙，杨设计得到珍珠，被仰慕穆的女儿小婵偷走，送给了穆，但穆却弃小婵而去。小婵欲自尽，被芝英救起，杨为此醒悟。穆等人因分配不均而相互争斗，杨趁机夺回珠子，物归原主。

金田一咲希は高校入学直前のある日、ピアノレッスンに向かう途中で見知らぬ同世代の少女とぶつかり手を擦りむくが、相手から無言で落とした楽譜を丁寧に拾われ絆創膏をもらう。咲希は印象的だったその少女とクラスメイトとして再会し、名前が及川奏音、そして耳が不自由だと知る。学校では障害を理由に周囲と距離を置く奏音に、淋しさを覚えた咲希はどうにか分かり合おうとし、そんな彼女の姿に奏音の態度も次第に変わっていき…。

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

职场女性简明月回家，发现答应借住的学弟江驰野睡在沙发，制定同居规则却被他频频打破。江驰野淋雨发烧，简明月嘴上嫌弃，却整夜照料，意外亲密让关系生变。简明月工作受挫醉酒倾诉，江驰野安静聆听安慰。酒醒后她怕失态，江驰野却温柔调侃，还劝她不必端着成熟人设。最终简明月承认心意，两人月下定情，展现外冷内热与阳光细腻的特质。

这是一部关于复仇与家族纷争的故事，主要讲述了女主角吴青青为报父母之仇，利用婚姻和计谋逐步摧毁仇人家庭的故事。