记者的专业就是揭发故事背后的真相，正当他们调查有关霍克·霍肯的性爱偷拍影片和报章Las Vegas Journal-Review的收购事件时，却发现从未曝光的秘密：亿万富豪用巨款令传媒收口。《无人发声》透过彼得·蒂尔如何用钱对付高客传媒的官司和谢尔登·阿德尔森购买内华达州最大报业事件, 为你探讨有钱有权的巨富们力量有几尽、“美国宪法第一修正案”能否保障媒体言论自由及如何危及新闻传媒界的未来等问题。

Part 1 - In the Beginning 　　Alan Yentob embarks on a three-part personal journey to discover how the guitar became the world’s favourite musical instrument. Beginning with the rise of the acoustic guitar, the series takes him from an ancient Middle Eastern ancestor of the lute, to the iconic guitars draped round the necks of Bill Hailey and Elvis Presley and beyond. Featuring interviews with Bert Weedon - the man who taught Britain to ‘Play in a Day’, Pete Townshend, Bill Bailey, flamenco player Paco Pena and classical guitarist John Williams. 　　Alan Yentob着手三次私人旅行，探索吉他是如何成为风靡世界的乐器。首先是原声吉他，从原古的中东鲁特祖先，至 Bill Hailey、Elvis Presley及后来者琴颈绑着商标的吉他。同时采访Bert Weedon，Pete Townshend，Bill Bailey，弗拉门戈演奏家Paco Pena和古典吉他演奏家John Williams。 　　Part 2 - Out of the Frying Pan 　　以Robert Johnson的早期Blues为起点 　　Alan Yentob presents a three-part series examining how the guitar became the world’s favourite musical instrument. As the guitar turns electric, music is changed for ever. The world’s first electric guitar had nothing to do with jazz or blues, but Hawaiian-style music and was known as the ‘frying pan’. Yentob continues his investigation from the blues of the Mississippi to the guitar wars of the 1950s, when the Fender Stratocaster and the Gibson Les Paul were battling for supremacy. 　　Part 3 - This Time it’s Personal 　　逐一介绍了ROCK的吉他发展 　　In the final programme of the series the guitarists talk about how they find their own sound, and how the guitar has changed their lives. Since its invention, the electric guitar has unleashed a seemingly inexhaustible sonic invention among guitarists. Featuring Muse’s Matt Bellamy, who turns out to be following in his father’s space age footsteps, Tony Iommi from Black Sabbath, who talks about the invention of heavy metal, David Gilmour from Pink Floyd, Pete Townshend (Perhaps equally famous for smashing guitars), Johnny Marr from the Smiths on ‘the mother of all riffs’, Slash and The Edge from U2 among many others.

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

大好きだった姉、夏美が死んだ。それから十数年が経ち、春子が30歳の誕生日を迎える前日、夏美が還ってきた。「お姉ちゃん、お姉ちゃんは、ほんとにお姉ちゃんなの?」困惑する春子を前に、生前と変わらない振る舞いを続ける夏美。戸惑いながらも、愛していた姉が蘇ったことを受け入れる春子。これまでの憂鬱な毎日が嘘だったかのように、夏美と過ごすことで春子の日々は輝きだす。だが夏美が蘇った理由、それは自分を殺した殺人鬼への復讐だった。 　　我曾经深爱的姐姐夏美去世了。此后过了十几年，在春子迎来30岁生日的前一天，夏美回来了。“姐姐，你真的是姐姐吗？” 在困惑的春子面前，夏美依旧保持着生前的举止。尽管满心疑惑，春子还是接受了心爱的姐姐复活的事实。仿佛过去那些忧郁的日子都是假象，和夏美在一起的时光让春子的生活重新焕发光彩。然而，夏美复活的原因，竟是为了向杀害自己的凶手复仇。

由美与恋人聪原本说好了要美美地约会，聪却突然甩掉了她，由美的情绪立刻跌入低谷。一天，由美在上班的百货商店一角，发现了一个神秘的罐子。当她碰到罐…

这是一部关于复仇与家族纷争的故事，主要讲述了女主角吴青青为报父母之仇，利用婚姻和计谋逐步摧毁仇人家庭的故事。