一年前，北方小城晨苍发生了一起仇杀案，凶手秦虹潜逃；一年后，警方在南方“发现”秦虹时，秦虹已被男友马伟成抛尸大海，尸骨无存。 　　这是一起人证、物证俱全，凶手甚至已经交代犯罪事实的案件，但消失无踪的尸体让主管刑警刘望惴惴不安，不经疑问“秦虹真的死了吗？”

一年前，北方小城晨苍发生了一起仇杀案，凶手秦虹潜逃；一年后，警方在南方“发现”秦虹时，秦虹已被男友马伟成抛尸大海，尸骨无存。 　　这是一起人证、物证俱全，凶手甚至已经交代犯罪事实的案件，但消失无踪的尸体让主管刑警刘望惴惴不安，不经疑问“秦虹真的死了吗？”

进入VR，你同时处于两个世界。心在当下，身体在另一个世界。虚拟世界中的存在，需要两个身体、四只手、两颗心。Shadowtime是为人类世创造的一个新词，描述同时占据两个不同时空的感觉。当你在上班途中堵车时，突然意识到发动机中的气体是史前生物的压缩质量；当你浏览手机时，同时见证了地球正在发生的不可逆变化；这些瞬间就是“重影时刻”。《重影时刻》让我们利用时间的不兼容性，在虚拟现实和模拟理论领域进行探索。作品部分内容使用AI完成，非常具有当下性。本片入围2023年威尼斯电影节竞赛单元以及2024年美国SXSW。

我在手机上重温电影《界痕》—— 这部改编自我最爱的同名小说，女主本该走进巷子遭连环杀人魔虐杀。 看到关键情节，我发弹幕预警：“不要进那条巷子，有连环杀人魔”。下一秒，电影里的女主竟停住脚步，惊讶抬头后快速离开巷子，选择走大路回家，还不时疑惑地望向天空。 我震惊不已，不敢相信自己能改变剧情。要知道，这本小说我看了无数遍，电影也反复刷过，从未有过这样的变故。一个荒谬的想法涌上心头：难道她能看到我发的弹幕？

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

这是一部关于复仇与家族纷争的故事，主要讲述了女主角吴青青为报父母之仇，利用婚姻和计谋逐步摧毁仇人家庭的故事。