IMDB 排名第七位的记录片(目前8.3分)。 　　这部纪录片是关于英国艺术家安迪.高兹沃斯（Andy Goldsworthy）的故事。影片一开头，安迪就直截了当的告诉我们，他想要处理的不仅是空间概念中存在的河流形象，同时也想把时间的意涵加入，让河真正在流动，反应出“河流”的本质。实际上在他的艺术作品中，“时间”可以说是是横贯一切作品的主轴，而反应自然表象下的本质则是一贯的主题，所以他处理的题材，不仅止于河流，也扩及到在时间河流（the river of time）影响下的一切。安迪习惯将自己对周遭事物，不论是人、土地或景观的了解，转化成艺术作品。从他取法自然，取材于自然，最后也回归自然的整个创作过程，确实是相当「环境正确」的，是人与环境对话之后具体而美好的呈现。虽然终究是对自然的一种操弄，却是最不「人工」的那一种。其实用文字来描述他的创作是一种不得已的错误形式，毕竟作品本身即不言自明，同时也是难以言喻的。

「出生在小琉球的小海與定期停靠補給的船員阿泰，兩人像兄弟般互動的背後，是一段不能說出口的關係。然而受到父母親壓力而結婚的阿泰，卻從未對小海表明自己已婚的身份，直到妻子即將臨盆，他必須結束這段關係。 　　遵守軌道的月球拉扯著浪濤，男孩幼稚的夢想與男人成熟的玩笑，在沉濁的呼吸聲裡，他們將徹夜迎接一場，不安的滿潮。」

本短片用拼贴手法将现实中的新闻照片糅合进由简练线条勾勒的动画里，讲述了所谓的现代文明是多么喜欢不理不睬孤立无缓的小人物。 　　一个被困在某个荒岛的落难者向路人求救，一艘艘船、一个个人从他面前经过，都是要么当作没看见，要么好奇地打量一番扬长而去。后来，某个国家的军队野蛮地插上国旗，将该荒岛视为本国领土。接着，媒体蜂拥而至，对他问长问短；科学家纷纷到访，拿他做实验品；旅游者一时兴起，向他推销各种无用的广告；资源开发商瞧见商机，将该岛资源采劫一空。没有人注意到，这位无助的落难者只想离开这座荒岛，回到自己的家。

年轻网络小说作家左展鹏（毛毅 饰）车祸意外身亡，妻子张可欣（李依伊 饰）痛不欲生。 展鹏死后，可欣家中发生各种恐怖灵异事件暗示着展鹏没有死，还意外…

今年，FIRST训练营召集7位青年导演，8位青年摄影师完成七部风格各异的类型短片，这七部以疫情为背景的短片将组成电影《孤岛》。导师曹保平这样释义“孤岛”主题：“过去的日子里，我们不得不退回到被分割、被分隔的生活区间中，有更长时间和自己相处。一些隐秘的、不易察觉的日常细节、思绪脉络浮现出来。”

一个忠犬一次次拯救想要自杀的主人的故事。 　　本片为中国传媒大学艺术学部动画与数字艺术学院15级学生毕业作品。

从海洋到矿石，锂广泛地分布在地球表面。然而，它的沉淀技术是将它从一些高原上的几个湖泊（安第斯山脉的乌尤尼盐湖和青藏高原的扎布耶湖）中提取出来。在被制造成锂电池之后，它被嵌入到了一种高科技产业链中——一种基于硅元素的集成设计和制造模式。从硅谷到东亚的半导体产业，形成于冷战-热战-冷战的全球地缘政治成为了这条产业链的兴起的复杂背景。我们可以将整个链条称为技术锁定。人们普遍认为，专业的复音音乐是由单音音乐演变而来的。 　　Lithium is extensively distributed on the earth's surface, from the ocean to the ore, the way of its precipitation is, however, by separating it out of several lakes on some plateaus—the Salar de Uyuni of the Andes and the Lake Zabuye of the Tibetan Plateau. After being manufactured into lithium batteries, it was embedded into a high-tech chain—an integrated design and manufacture mode based on silicon elements. From Silicon Valley to the semiconductor industry in East Asia, the rise of this industrial chain was given a complicated background—it’s the global geopolitics that’s shaped under the context of Cold War-Hot War-Cold War. One can call the whole chain a technological lock-in. 　　尽管如此，最新研究表明，按照音乐人类学家的推测，单音的形成不是追随进步，而是失去古老的和弦歌唱传统和音乐文化专业化的结果，单音音乐实际上在人类社会中出现得相对较晚。换言之，复音音乐被认为是古代音乐的一种普遍形式，这一结果动摇了音乐历史，其中对单音到和弦的线性演变的深信。当前复音音乐的地理分布极为混乱。在某些地区，主要音乐形式表现为单音音乐，而在一些其他地区，则是复音形式。在某些特定地区，例如单音音乐占主导地位的东亚地区，复音音乐散布在整个领土上，就像散落在世界各地的小岛一样。 　　The professional polyphonic music is being widely expected to have evolved from monophonic music. Nevertheless, the latest research shows that rather than following ascending progress, the formation of monophony is, in accordance with the speculation of musical anthropologists, the result of losing the ancient polyphonic singing tradition and the professionalization of music culture, for monophonic music, in fact, appeared relatively late in human society. In other words, polyphonic music is considered to be a universal form of ancient music, and this result has shaken the history of music that was once convinced by a linear evolution from monophony to polyphony. The current geographical distribution of polyphonic music is extremely confusing. In some regions, the major music form appears as monophonic music, while in others, it is polyphonic. In some specific areas, such as East Asia, where monophonic music dominates the musical form, polyphonic music is scattered around the territory, just like small islands lying sporadically in the isolated places of the world. 　　音乐和技术的起源是相互交织的。将复音音乐想象成古代人开发的一种防御策略，一方面使敌人感到困惑，因为人们总是期望在一个交织的音乐矩阵背后有一个巨大的存在。另一方面，它就像实时通信，节奏的每一个细微的变化或停顿都会吸引每个表演者的注意，从而可以将信号传输到整个网络。在这里，复音音乐可以被理解为一种非本质，无限可复制且非主题的系统。在复音音乐中，演奏者和观众之间是没有区别的，每个人都参与了表演，只有参与其中才能真正理解和掌握表演的节奏。我视这种复音音乐模式为一种技术上的解锁。 　　The origins of music and technology are intertwined with each other. Imaging polyphonic music as a defense strategy developed by ancient people, it confuses the enemy on the one hand—one always expects an enormous existence behind an entwined musical matrix. On the other hand, it acts as real-time communication, every subtle change or pause of the rhythm would attract the attention of each performer so that signals can be transmitted to the entire network. Here, polyphonic music can be understood as a system that is non-essential, infinitely reproducible and non-thematic. In polyphonic music, there’s no differentiation between the performer and the audience, everyone participates in the performance, and only by participating can one essentially understand and grasp the rhythm of it. I see this pattern of polyphonic music as a technological unlock-in.

从海洋到矿石，锂广泛地分布在地球表面。然而，它的沉淀技术是将它从一些高原上的几个湖泊（安第斯山脉的乌尤尼盐湖和青藏高原的扎布耶湖）中提取出来。在被制造成锂电池之后，它被嵌入到了一种高科技产业链中——一种基于硅元素的集成设计和制造模式。从硅谷到东亚的半导体产业，形成于冷战-热战-冷战的全球地缘政治成为了这条产业链的兴起的复杂背景。我们可以将整个链条称为技术锁定。人们普遍认为，专业的复音音乐是由单音音乐演变而来的。 　　Lithium is extensively distributed on the earth's surface, from the ocean to the ore, the way of its precipitation is, however, by separating it out of several lakes on some plateaus—the Salar de Uyuni of the Andes and the Lake Zabuye of the Tibetan Plateau. After being manufactured into lithium batteries, it was embedded into a high-tech chain—an integrated design and manufacture mode based on silicon elements. From Silicon Valley to the semiconductor industry in East Asia, the rise of this industrial chain was given a complicated background—it’s the global geopolitics that’s shaped under the context of Cold War-Hot War-Cold War. One can call the whole chain a technological lock-in. 　　尽管如此，最新研究表明，按照音乐人类学家的推测，单音的形成不是追随进步，而是失去古老的和弦歌唱传统和音乐文化专业化的结果，单音音乐实际上在人类社会中出现得相对较晚。换言之，复音音乐被认为是古代音乐的一种普遍形式，这一结果动摇了音乐历史，其中对单音到和弦的线性演变的深信。当前复音音乐的地理分布极为混乱。在某些地区，主要音乐形式表现为单音音乐，而在一些其他地区，则是复音形式。在某些特定地区，例如单音音乐占主导地位的东亚地区，复音音乐散布在整个领土上，就像散落在世界各地的小岛一样。 　　The professional polyphonic music is being widely expected to have evolved from monophonic music. Nevertheless, the latest research shows that rather than following ascending progress, the formation of monophony is, in accordance with the speculation of musical anthropologists, the result of losing the ancient polyphonic singing tradition and the professionalization of music culture, for monophonic music, in fact, appeared relatively late in human society. In other words, polyphonic music is considered to be a universal form of ancient music, and this result has shaken the history of music that was once convinced by a linear evolution from monophony to polyphony. The current geographical distribution of polyphonic music is extremely confusing. In some regions, the major music form appears as monophonic music, while in others, it is polyphonic. In some specific areas, such as East Asia, where monophonic music dominates the musical form, polyphonic music is scattered around the territory, just like small islands lying sporadically in the isolated places of the world. 　　音乐和技术的起源是相互交织的。将复音音乐想象成古代人开发的一种防御策略，一方面使敌人感到困惑，因为人们总是期望在一个交织的音乐矩阵背后有一个巨大的存在。另一方面，它就像实时通信，节奏的每一个细微的变化或停顿都会吸引每个表演者的注意，从而可以将信号传输到整个网络。在这里，复音音乐可以被理解为一种非本质，无限可复制且非主题的系统。在复音音乐中，演奏者和观众之间是没有区别的，每个人都参与了表演，只有参与其中才能真正理解和掌握表演的节奏。我视这种复音音乐模式为一种技术上的解锁。 　　The origins of music and technology are intertwined with each other. Imaging polyphonic music as a defense strategy developed by ancient people, it confuses the enemy on the one hand—one always expects an enormous existence behind an entwined musical matrix. On the other hand, it acts as real-time communication, every subtle change or pause of the rhythm would attract the attention of each performer so that signals can be transmitted to the entire network. Here, polyphonic music can be understood as a system that is non-essential, infinitely reproducible and non-thematic. In polyphonic music, there’s no differentiation between the performer and the audience, everyone participates in the performance, and only by participating can one essentially understand and grasp the rhythm of it. I see this pattern of polyphonic music as a technological unlock-in.

在世界几乎完全被环境灾难淹没和污染之后，只有一小部分人类能够逃到太空殖民地开普勒星球寻求救赎。在太空中度过多年后，开普勒星球面临着威胁人类的危险，太空辐射诱发了人类不育危机。为了应对这个危机，由精英宇航员布莱克领导的载人飞行任务派人去探寻地球是否能再次居住的可能性，以及人类是否还有任何延续的希望。回到地球后，布莱克震惊地发现被他们抛弃的地球上还有一群名为泥泞的幸存人类一直生活着，他们在万难的环境中幸免于难。当她试图在开普勒星球上与她的人联系时，地球却又开始发生变化……