秋千　　已经厌倦都市生活的青年刘海国突然收到已经断绝关系二十年的父亲的死亡讣告，匆匆赶到父亲寄居的村镇。然而，从刘海国踏进这个陌生小镇的一刻起，便感到身边都是诡异的眼光。父亲的葬礼结束后，村民们为“欢送”刘海国举办了聚会，而当刘海国宣布要继续留在该地时，一种神秘的氛围笼罩在了周围。村子的权力核心——70多岁的里长最终同意了刘海国的决定。　　留下来的刘海国渐渐发现，里长非等闲之辈，尽管年纪很大，但明显是全村人的精神领袖。刘海国开始感到这里实际上隐藏着不为人知的秘密……

《苔藓人》考察了一个跨越世代、并已成为贝哈尔（Béjar）象征的传说起源。通过与当地居民的对话，影片进一步探究“绿人”这一形象、其文化意义，以及他与这座历史名城的气质、自然和传统之间的联系。 　　Moss-Men investigates the origin of a legend that has transcended generations, becoming the symbol of Béjar. Through conversations with its inhabitants, the documentary explores the figure of the Green Man, his cultural significance and his link with the identity, nature and traditions of this historic city.

A visit to a cosmetic-surgery clinic and the discovery of a lump in his testicle and an abscess in his mouth confront filmmaker Selim Mourad with transience and decay in this unashamedly navel-gazing film essay. ‘Selim from Beirut’ is the last in a long list of names of extinct species he recites during a loveless Grindr fuck. 　　After his death, which proceeds without any further explanation or ado, we see Selim’s image appear in an exhibition by a pretentious photographer. As he hangs nonchalantly on the gallery wall – looking like the love-child of Jean-Paul Belmondo and James Dean, complete with cigarette dangling from his lips – a visitor to the gallery comments that the round framing of these portraits of the dead is reminiscent of film. The actual film frame then also adopts this circular form, this time with Selim’s friend Tamara at the centre. 　　What follows is in many ways like a snake swallowing its own tail, with both maker and work constantly self-referencing; in the eternal cycle of birth and death this creates, Selim and Tamara finally become their own ancestors. The naked, queer body once again plays a prominent role in this concluding instalment of Mourad’s Linceul trilogy – preceded by the shorts Linceul (2017) and Cortex (2018). Using a combination of painterly images, form experimentation, mythical motifs and philosophical commentary, Agate mousse forms an aesthetic antidote to fear of The End.

Mosses have colonised almost every corner of the earth’s surface. Evolving from oceanic algae that emerged onto the land 450 million years ago, these very first terrestrial plants became one of the main sources of oxygen for our evolving planet, helping to transform it from an arid rock into a lush world. 　　This documentary travels to some of the most beautiful moss-covered landscapes in the world, including Japan, Iceland, France and Denmark, to meet the experts investigating its astonishing properties and potential. 　　Science is only beginning to understand the secrets and possibilities of these remarkable plants.

Mosses have colonised almost every corner of the earth’s surface. Evolving from oceanic algae that emerged onto the land 450 million years ago, these very first terrestrial plants became one of the main sources of oxygen for our evolving planet, helping to transform it from an arid rock into a lush world. 　　This documentary travels to some of the most beautiful moss-covered landscapes in the world, including Japan, Iceland, France and Denmark, to meet the experts investigating its astonishing properties and potential. 　　Science is only beginning to understand the secrets and possibilities of these remarkable plants.

顾凡校园时期对慕晚夏一见钟情，为了托举慕晚夏的梦想，放弃大好前途到慕晚夏公司当秘书，在一次慕晚夏醉酒后，二人意外发生关系，慕晚夏要用钱打发顾凡，顾凡却终于鼓起了勇气表示要跟慕晚夏在一起。于是顾凡开始了长达四年的生活，直到慕晚夏的白月光陆青瑜回国，亲眼目睹慕晚夏对陆青瑜的种种偏爱，彻底意识到慕晚夏从来没有爱过自己，顾凡毅然决定辞职离开，开启自己的AI研发之路。而慕晚夏在顾凡的离去后，悔不当初。

顾凡校园时期对慕晚夏一见钟情，为了托举慕晚夏的梦想，放弃大好前途到慕晚夏公司当秘书，在一次慕晚夏醉酒后，二人意外发生关系，慕晚夏要用钱打发顾凡，顾凡却终于鼓起了勇气表示要跟慕晚夏在一起。于是顾凡开始了长达四年的生活，直到慕晚夏的白月光陆青瑜回国，亲眼目睹慕晚夏对陆青瑜的种种偏爱，彻底意识到慕晚夏从来没有爱过自己，顾凡毅然决定辞职离开，开启自己的AI研发之路。而慕晚夏在顾凡的离去后，悔不当初。

该剧讲述女主角洪珠时隔10年和前男友兼初恋的俊昊再次相遇后的浪漫喜剧。 　　由《又是吴海英》《内在美》《恋慕》宋贤旭导演执导，预计10月开机，共8集。