Anyone who saw Monelle (FID2019) won’t have 　　forgotten it. Genius peculiarto and filmmaker 　　Diego Marcon : creative, explosive sketches, 　　elementary and powerful devices designed 　　to remain burned both on the eye and in 　　the memory. Here, again, there are very few 　　characters: in a bedroom opposite the window, 　　a man sits on an unmade bed, then his two 　　children and finally their mother, each with a 　　contorted face à la Paul McCarthy. Again, the 　　sound is decisive: a chilling, disjointed ditty 　　sweetly describing abomination. The Parent’s 　　Room is a huddled-up horror film that, under the 　　domestic bliss, reveals the truth disrupting any 　　nuclear family: the murder. (Jean-Pierre Rehm)

Anyone who saw Monelle (FID2019) won’t have 　　forgotten it. Genius peculiarto and filmmaker 　　Diego Marcon : creative, explosive sketches, 　　elementary and powerful devices designed 　　to remain burned both on the eye and in 　　the memory. Here, again, there are very few 　　characters: in a bedroom opposite the window, 　　a man sits on an unmade bed, then his two 　　children and finally their mother, each with a 　　contorted face à la Paul McCarthy. Again, the 　　sound is decisive: a chilling, disjointed ditty 　　sweetly describing abomination. The Parent’s 　　Room is a huddled-up horror film that, under the 　　domestic bliss, reveals the truth disrupting any 　　nuclear family: the murder. (Jean-Pierre Rehm)

江湖风波起，独行暗河间，少年们的故事从未停歇。 　　该剧改编自周木楠的同名小说。

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

Dana是个失败的生物学家，她与几个同学一起穿越Dismal沼泽。这是一个充满生命的偏远地区，这里也充满了死亡，尽管他们遭遇了饿熊、毒蛇及致命的短吻鳄，但他们还未意识到真正的危险。在他们营地不远处，潜伏着一个……吃？或被吃？

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

Acteurs Principaux : Eric Frey, Anne Petit Lagrange 　　Leading Cast 　　Réalisateur : Léo Scarax 　　Director 　　Scénario : Léo Scarax 　　Script 　　Chef Opérateur : Bertrand Chatry 　　Director of Photography 　　Production : Les Films du Lagon Bleu 　　Format : 35mm - Couleur 　　Durée : 16' 　　Length 　　Catégorie : Fiction - Comédies et Drames 　　Category 　　Prix : Grand Prix du CM au festival du Jeune 　　Awards Cinéma International de Hyères 1981 　　Une nuit très parisienne. Paul joue à étrangler Colette parce qu'elle ne lui inspire pas un foutu plan de cinéma. Au petit matin, il prend la fuite parce que l'avenir est à ceux qui se lèvent tôt. Etait-il trop tard ? C'est encore trop tôt pour le dire. 　　A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late ? It's too early to say.

影片入围第68届柏林电影节全景单元片单。《天空上三公尺》拉蒙·萨拉萨尔自编自导的新作，从小就被丢弃的琪拉在几十年过去后找到妈妈，并要求他在一处偏远的地方，和她共度10天时光.（胖鸟电影网）

This is a rather schizoid movie as is evidenced by its two alternate titles "Blue Summer" on one hand, or "Love Truck", on the other. At times this seems like a typically stupid and painfully unfunny early 70's softcore sex romp with a lot of idiotic and unrealistic situations and some pretty unappealing actresses. The movie follows a pretty typical formula--two guys who have just graduated high school go off on a road trip in a customized van looking some female action, and fall into all kinds of increasingly absurd, but not particularly funny situations--and, of course, they have a lot of sex on the way. 　　There are places, however, where this movie really transcends its formulaic softcore origins. Reality intrudes in a couple places like the one another reviewer mentioned where a sexual tryst one protagonist is having with an older woman is interrupted by her son who's about the same age he is (and it's treated rather realistically and a little sadly, not in the comical way of something like "American Pie"). My favorite scene though, and really the one that makes the whole movie at all worthwhile, comes in the first half hour: the pair pick up a couple of female hitchhikers (the ONLY attractive women in this movie) and they having a long and surprisingly beautifully filmed double sex scene at a campsite while groovy early 70's music plays on the soundtrack. As unrealistic as the rest of the movie may be, this one scene really captures what it was like (or, at least, what I imagine it was like--this was ten or fifteen years before my time) to be alive and young in the early 70's. This scene alone might be worth seeing the rest of the movie.